'Wu Garden', which was erected by Wu Family during the reign of Emperor Dao Guang (道光) of the Qing dynasty (清朝) in downtown area of nowadays Tainan city, is the most important Chinese classical garden of its time. Its building, under the condition of the bourgeoning of inner-land consciousness, obviously displayed the emerging desire of abundant Tainan Fu-cheng as the cultural and intellectual center of Taiwan. Though it has been damaged partly under the destruction of historical power, we could find the ever-existed prosperity through the ruins. By relocating Wu Garden as a pseudo-text into the concrete context of urban-social power, this paper, with the help of the vision of historical and cultural study, aims to dig out deeply the spatial aesthetics of the building of 'Wu garden'. Besides studying its aesthetical logics of the shaping of Shan-sui and garden, the author hopes to handle the relationship between the construction of spatial aesthetics and the development of Wu family and Tainan city. So we can finally make clear the deep spatial meaning of the socially imposing erection of Wu garden.
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