絹印與陶版畫之研究創作論述（一）

Discourse on Creation of Silk Screen and Ceramic Printing (Ⅰ)

張家瑀(Chia-Yu (J.C.) Chang)

《視覺藝術論壇》 4期 (2009/07) Pp. 91-101

https://doi.org/10.29523/VAF.200907.0005

摘要

版畫創作技法的多元性隨著時間的累進日益增多，由原先自西元約第八世紀凸版畫的發明使用，到數百年之後凹版的萌芽，1798年平版於德國研究誕生，二十世紀孔版的快速崛起，並廣泛被應用於版畫創作。而後，自人類文明史的記述以來，版畫藝術的不斷提昇藉靠的是版畫家們不斷的推衍創作新理念，毋庸質疑的是，新技法的注入更是一項新活水，能提供版畫學習者與創作者更多的媒材運用與提增思維進行創作，而新技法的創發必然是研究者花費多時研究累積而成的智慧結果。
筆者自2006年開始著手於陶版、絹印與釉料印製及燒結的創作研究，此研究創作之動機在於，爲版印藝術的印製媒材尋找更爲堅固與持久性之承載體。再者，版畫創作的另一項特質在於版面套疊印製後所產生的色彩魅力，而釉料藉由溫度的燒結於不同溫度的窯燒後，於陶窯內長時持續燒製過程中，能夠產生粹鍊的璀璨色彩，能於色彩的視覺呈現產生更多變樣性。基於此兩項主因引發筆者以＜陶版絹印版畫創作技法＞爲此階段之主要創作方式。本文，僅試就筆者現階段研究創作之結果進行探討，分由創作理念之形式美感、符號與象徵和心靈寄託等單元簡述，並依山城景象、心靈窗景兩系列作品進行作品詮釋。

關鍵字

陶版 ； 絹印 ； 釉料 ； 山城景象 ； 心靈窗景

並列摘要

There has been an increase of the diversities of printmaking creation as time progresses: from the invention of Xilography in the 8(superscript th) century, the development of Intaglio Printing hundreds of years later, the birth of Lithography during 1798 in Germany, to the fast development of Serigraphy and wide application in printmaking creation in the 20th century. Since the earliest records of human civilization, the constant improvements of printmaking art has depended on printmaking artists' improvements of creation concepts. Undoubtedly, the injection of new techniques means new power, which provides printmaking learners and creators more ways of applying materials and diversified thinking styles. Therefore, the creation of new techniques is the result of researchers' hard work and time.
The researcher started the study and creation of ceramic printing, screen printing, glaze material printing and sintering since 2006, aiming to search for more solid and sustainable vehicles for printmaking art printing materials. Furthermore, another feature of block print creation is the glamorous colors produced by overprinting. Glaze material produces beautiful colors and presents diversified visual effects after the process of sintering under different temperatures within the kilns for a long period of time. Based on the above mentioned reasons, the main creation method during this stage is the ”Ceramic Screen Printing Creation Technique”. This paper only focuses on the current research and creation of researcher, briefly discusses the following units: The Aesthetic of the Style of Creation Concepts, Signs and Symbols as well as The Commitment of Mind and creates 2 different series of works: The Scenery of Mountain Cities and The Vision of Mind.

並列關鍵字

plate of ceramic ； serigraphy ； glaze ； scenery of mountain cities ； the vision of mind