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  • 學位論文

創意活現,公共漫遊:創意市集作為台北人遊逛之實踐

Wandering at Craft Fair as a Way of Approaching Public Space in Taipei City

指導教授 : 畢恆達
共同指導教授 : 黃宗儀(Tsung-Yi Huang)

摘要


本論文以台北市近三年發展的創意市集作為田野,研究方法以深度訪談為主、參與觀察與文本分析為輔,訪談對象包含市集主辦單位、市集創作者與閒遊者,透過不同參與者角度描繪創意市集與城市空間、身體感官經驗之間的關連。台灣對創意市集的既有研究與文本著重於創作者創作歷程與創作物的符號意義,本研究則試圖從市集參與者的經驗出發,理解城市空間中的創意市集如何被感知與經歷。 近三年來,創意市集成為大小節慶與活動不可或缺的一員,在創意市集熱潮延燒全台時,創意市集與地方的關連為何?首先我挑選三處固定地點、空間形式與主辦單位性質各異的創意市集進行觀察與討論:牯嶺街書香創意市集是台灣創意市集的開端與原型,它象徵了沒落產業空間的活化再利用,與地方協力組織在其中動員的權力競逐關係。敦南誠品作為台北的文化地標,經創意市集創造了廣場街角舞台的生命力,與市民對於廣場上多元事件發生的期待。CAMPO成功的掀起創意市集的熱潮,它炒熱了電影公園將人們引入,並同時將次文化與西門町在一次次的活動中進行疊合、混種與強化。 其次我由創意市集中的空間使用行為描繪市集場域意涵,並從參與者的身體感官經驗解析創意市集空間的特殊性。創意市集現身於公共開放空間,扮演了中介城市人接近公共空間的文化事件,偶發的活動為城市人扭轉日常生活的空間版圖和意義。市集的場域允許不同背景、目的與權力的異質聲音被訴說和傳達。創意市集是各方參與競逐的場域,其意義在權力交纏、勝出與消解中不斷改變,市集的個性也由地方、空間型態和參與者性質互相形構。人們可以經由市集認識不同社群的群眾、事件與自己的身體,從視線、聲音、觸覺、情緒與空間的尺度等感官經驗拼貼市集,同時也記憶城市的面貌,集體創作共同享有新的文化地景。 當創意市集越興蓬勃,在城市中不同空間依節日的節奏出沒現身,逐市集而居的創作者與參與市集的市民共同編織公共空間的可能。透過創意市集,公部門或資本家想像一套關於文化、創意的未來或好生意,創作者的小靈光因此被守護、點燃或放大,而遊逛市集的人們則由身體與感官的實踐拼湊都市樣貌與記憶地方的線索。創意市集指出了台北對於社交性公共空間的缺乏,創意市集中的「創意」和「市集」互為表裡,代表一種開放、提供人們與環境和社會對話的場合,也成為都市公共空間的新興使用方式。

並列摘要


This thesis focuses on the process of place making by continuous ‘craft fairs’ held in fixed urban public spaces in Taipei. Craft fairs, fairs that gather art and handmade crafts and live band performances, have become new cultural events in recent three years. Unlike other papers and books explaining the creation process of craft artists and the icon meaning of the crafts, this paper tries to discover wandering experiences from different perspectives. By in-depth interviews with participants of craft fairs, including fair holders, craft artists and citizens, I would like to discuss the experiences of wandering in craft fairs and how the sensory experiences affect the sense of one place. To answer the main question: “how do craft fairs become a key role between participants and place when they take place in every festival in Taiwan?” firstly I choose three places of different space patterns and holders as my research field. Ku Lin craft and book fair, the prototype and very beginning of craft fairs in Taiwan, presents an example of old book street revitalization. Besides, it also points out the complex power competition among different organizations behind the craft fair. Eslite Bookstore, the cultural landmark of Taipei, held craft fairs as a stimulus to improve the sales volume of the bookstore. The activity ended when the sales goal was achieved; however, through craft fairs taking place on the square, the bookstore square has become a stage in urban space with vital public life. CAMPO leads a great fever of craft fairs successfully. After attracting lots of people to Cinema Park, it intensifies and represents its subculture with the image of Ximenting. Second, I intend to elaborate on the meaning of craft fairs through the participants’ behaviors and sensory experiences. Taking place in public spaces, craft fairs as cultural events, intermediate urban dwellers and urban public spaces. Being a competition field for heterogeneous participants, the meaning of craft fairs has changed constantly in the process of power struggling and decreasing. From the body experiences of visions, sounds, tactile impression, emotion and feeling of space, people construct images of craft fairs and urban landscape. Lastly, as newly hot cultural events, craft fairs reveal the lack of social public space in Taipei. Craft fairs have brought diverse possibilities to different participants: to government and capitalists, craft fairs are indicative of brilliant future for culture and creative industries and great business; to craft artists, craft fairs are a place to exhibit and share their new ideas; for people wandering in craft fairs, the fairs offer a way to approach public space and crowds. It is their open and public characteristics that craft fairs contribute to public life between urban people, society and environment.

參考文獻


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被引用紀錄


趙珮華(2010)。當代城市空間遊牧者 - 創意市集的公共地誌〔碩士論文,國立臺北科技大學〕。華藝線上圖書館。https://doi.org/10.6841%2fNTUT.2010.00543
顏孝永(2010)。創造新都市的生活地景-以台北當代藝術館周邊街區藝術策展為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342%2fNTU.2010.03532
李芝瑩(2008)。台灣創意市集主辦單位創意氛圍形塑之研究—以四個創意市集主辦單位為例〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-0804200910275401
黃郁維(2010)。都市創意空間的發展-以台北市西門紅樓創意市集為例〔碩士論文,國立臺北大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0023-2308201022565700

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