宜蘭曾氏家族彩繪研究

台灣的傳統建築彩繪基本承襲中國南系傳統建築彩繪之風格，在生活、環境、文化等多方面的影響下，漸具備台灣當地特色。本論文嘗試以世居宜蘭，且三代皆以傳統建築彩繪為業之曾氏師傅家族為研究對象，探尋其承續傳統內涵並衍生出獨有風格的工藝面貌。在研究中，筆者是站在觀察者的角度，從「人」、「技藝」與「物」三個視點，記述曾氏師傅家族之生命史、習藝傳藝的經歷、工作過程、地點、年表，與所傳技藝的操作方式，暨現存建築彩繪物件之內容呈現與文化意涵等，探究宜蘭曾氏師傅家族及其及製作工藝完整的面向。研究最終的呈現是以工藝民族誌之方式，建構宜蘭曾氏師傅家族相關的第一手資料，並從工藝美學、民俗學、吉祥圖案及物與物質文化等觀點，深入研析製作者、製作技藝與製作物件三者所包蘊的內涵，進而思索台灣流傳之南式傳統建築彩繪風格於宜蘭的承續與轉變。

關鍵字

傳統建築；宜蘭；彩繪；工藝

並列摘要

Traditional Architectural Painting in Taiwan adopts many of the styles found in Southern Chinese Architectural Painting. The painting style has multiple influences that reflect the lifestyle, environment and culture or the local area where property is found. Over history, architectural painting has become a popular feature in Taiwan. In my research, I have studied the Tseng Family who had three generations of painters who became masters at this form of art. My study reviewed the content of this traditional style as well as the individuals who crafted this art. The review takes into account the people involved and the objects and techniques used by the Tseng Family in the development of their craft. The review takes into account the history of the family, the professional careers of various members, the locations they worked and techniques passed down through the generations. On a local level, the review looks and explores the heritage and modifying of Southern Chinese style on architectural painting in Yilan, Taiwan. Lastly, I will explore the Ethnography of Craft and origin of this style of painting. The paper will review the Craft Technology, Folkart and Crafts Aesthetic, Specific Patterns, Objects and Material Culture, to define the historical background, origin and to look at the future of this style of painting.