「相公堂子」是一個由徽班進京所帶動的娛樂行業,一般又稱為「私寓」或「下處」。此行業的經營者為清代花部旦行伶人,藉登臺演出之餘,利用當時觀眾崇尚旦色的心態,實行以歌侑酒的商業行為。在清代京劇表演藝術發展的過程中,「相公堂子」的存在對旦行藝術的發展佔有特殊的地位,實為影響旦行演員社會地位變遷的主力因素。本論文即針對清代「相公堂子」的形成、組織成員、商業架構、服務性質做出探討,期望能進一步了解「相公堂子」對於清代旦行表演藝術發展的活動軌跡,開啟探討京劇旦行表演藝術史之另一研究場域。
“Xian Gueng Tang Zi”, also known as “Si-Yu”or “Xia Chu ”was not only the private residence of the cross-dressed performers of the male Dan- female impersonators in the classical Chinese theater, it was also despicably doubled as brothels where improper intimate relationships between performers and their patrons occurred. The binary existence of Xian Gueng Tang Zi had a profound influence on the social status and the development of the performance of the sexually ambiguous figure of the male Dan during the Qing Dynasty. The research employs an analytical approach to investigate the emergence and the commercial context of Xian Gueng Tang Zi, hoping to acquire a deeper understanding of how such despicable trade had made a unique social and cultural impact on the development of classical Beijing opera in the Qing Dynasty.
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