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  • 學位論文

季節性節慶空間的現代性演繹─苗栗台灣燈會

Seasonal festivals space interpretation of modern society ─Miaoli Taiwan Lantern Festival

指導教授 : 蔣雅君
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摘要


時間與場域間凝聚的空間型式,是人群對某一地方的新體驗、新認知,也是城市地景的迷人特色。藉由台灣的傳統節慶,延續於季節、節氣而孕育的地景型態之探究,如何進而轉化都市展現當下場域所凝視、期望、美學與消費的層次,與生活面、與空間和現代社會的連結。 本研究有鑑於由國家主導且由地方承辦行之有年的「台灣燈會」,以夜空為背景,擬造相似傳統祭典的空間生產,對應於一件件主題的大型花燈、展品空間拼貼的象徵性,無形中擴展了區域流動下被關注的活動場域。如何成為民眾在時效性的國度裡,視覺中依賴並衍生為空間的一種「動態消費」生產?而這樣的慶典活動究竟在現代的機制、技術與美觀等表徵過程,如何持續以嘉年華會的型態演變,再次轉化為與生活並駕的樂園真實性?本論文透過2011年苗栗台灣燈會之個案研究、文獻與圖像的資料彙整,試求在社會偏離體制的約束中,以主題樂園的批判建置與文化想像的書寫分析;其不僅有助理解文化活動被消費、被創造的經濟模式,也能回應現代的社會營造再現新的空間意義。此外,也從田野調查與訪談中逐步建構國家主導傳統習俗的空間權力;透過轉化傳統,創造臨時建築與影像的城市體驗,將元宵節慶的價值∕策略,以及關係著當地空間共享的勞動制約和城市共構的物質支持,鏈結其全球化的推動下,產業結合不同「動向」的消費網絡,以及節慶的行銷面向,帶來令人質疑空間賦予情感的形象認同。 注視「台灣燈會」空間的城市樣貌,一種曇花一現的微觀建築,銳變如同於鏡子般;空間如集合了兩面的社會現象,它與生活賦予不同發展卻也息息相關,時間上允許了個體中虛擬與實體的較勁,正經地依附在當代都市的消費年代。

並列摘要


The spatial pattern agglomerated in the time and space field represents not only a new experience and cognition of the crowd for a place but also charming features in the urban landscape. By Taiwan's traditional festivals which are continued in the landscape patterns cultivated by seasons and solar terms, the city is transformed to show the levels of gazing, expectations, aesthetics and consumption in the contemporary fields, to link the surface of life, the space, and the modern society. In this study, in view of the "Taiwan Lantern Festival" which is led by the country and held by local counties and cities for years, the spatial production similar to traditional ceremonies is made with the background of the night sky. Corresponding to the symbolized large lanterns and the collaged exhibit space of themes, the activity fields concerned in the regional flow are virtually extended. How do they become the "dynamic consumption" production of the space depending and derived in the vision in the kingdom of the timeliness? How do such celebrations continue to evolve in the type of the fiesta and transform into the real paradise in life in the characterization process of the modern mechanisms, technology, and aesthetic? In this study, through the case study, literature and image data aggregation of the 2011 Miaoli Taiwan Lantern Festival, it is tried to analyze the criticism building and cultural imagination of the theme park under the constraints of the deviation from the social system, so that it helps understand how the cultural activities are consumed and the economic models are created and respond the new space significance of the modern society reproduction. Besides, from the field surveys and interviews, the space powers that the country dominates traditional practices are gradually constructed. Through the transformation of traditions, the city experiences of the temporary architecture and images are created. By that, the value/strategy of the Lantern Festival, the labor constraints of the local space sharing, and the material supports of the city co-construction are liked under the promotion of globalization, and the spatial image recognition of people can be brought in the combination of industry, the consumer networks of different "trends," and the festival's marketing oriention. When looking at the city's appearance of the "Taiwan Lantern Festival" space, the microscopic buildings in a flash are changed like the mirror. When the space combines the social phenomena of both sides, it is related to the different developments in life. Time allows individuals for the virtual and physical rivalry, which attaches to the contemporary urban consumption age seriously.

參考文獻


郭宇湘,《台灣燈會之地點選擇評估模式》,高雄餐旅學院旅遊管理研究所碩士論文,2007
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