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  • 學位論文

青樓敘事與情色想像-以《三六九小報》和《風月》報系為分析場域(1931-1944)

The Bordello Narration and Desire Imagination:A case study of San Liou Chiou and Fong Yueh tabloid (1931-1944)

指導教授 : 楊翠

摘要


青樓,在文學史上是個流傳久遠的書寫題材,在近代,則結合報刊傳播成為具有時代意義的文化範疇。本論文以30年代到40年代的《三六九小報》和《風月》報系為分析場域,探討臺灣文化中青樓敘事與情色想像的意涵。 第一章為研究動機和文獻回顧,以及研究方法和章次安排。第二章則以「公共領域」為概念,探討報刊的青樓敘事的建構。此處,原本以政治議論為發聲的公共領域,卻成為提供通俗娛樂訊息的異質空間。此處的空間隱喻實也和青樓的特性相互重疊,並且和社會文化產生諸多議題的對話關係。第三章主要係探討娼妓的女性身體特質,以醫療敘事、攝影和品花專欄,作為分析的範疇。從中可以看出女性身體在商業操作和文化想像中,如何成為一個被凝視的客體。第四章則係探討娼妓的幸福圖像和生命主體的關係,從中可以看出兩性社會和歷史對於娼妓的期待,以及,為人所遺忘的生命形態。第五章為本論文之結論,回顧研究內容並提出此議題的存在意義,以及簡介相關研究的未來展望。

並列摘要


The Bordello, in the literary history, has been a descriptive topic handed down for a long period of time since the ancient. In the late years, it was even combined with media and journals into a cultural sphere with some historical meanings. This dissertation is the analysis of the Bordello in the range of “San Liou Chiou Tabloid”(三六九小報) and “Fong Yueh”(風月) during the 30’s and 40’s. In addition, it proceeds to discuss the overtones within the Bordello Narration and the Desire Imagination in Taiwanese culture. There are five chapters in this thesis. The first one presents the motives and methods of this research, the arrangement of these chapters, and browses all of the literature. The second one is in the concept of the “Public Sphere” to discuss the shell of the Bordello narration. In a way, the public sphere is originally concerned about the political issues, but it turns out that rendering heterotopic to the messages of popular entertainment here. Besides, the metaphorical shares the mutual features in the same way with the Bordello, and sparks some relations in the way of dialogue from a number of issues with the society and culture. Furthermore, the third chapter discusses the female physical features out of the prostitutes in the range of the narration on remedy, the photography, and Pin-Hua Zhuan-Lan(品花專欄). By means of the content mentioned above, we can see through how a female body is perceived as an object within commercial manipulation and cultural imagination. Then the fourth one is to explore the relevance between happiness and identity of the prostitutes. From them, we can realize the expectations out of the by-gender society and history as well as the patterns of lives which are forgotten all the time. As to the fifth chapter, the conclusion of this paper, we can not merely review the whole content of the research, submit the meanings of this issue in itself, but introduce in short the future forecasts about the relevant studies as well.

參考文獻


一、日治時期報刊
《三六九小報》(臺北:成文出版社,1998年)。
《南方》(臺北:南天,2001年)。
《風月》(臺北:南天,2001年)。
《風月報》(臺北:南天,2001年)。

被引用紀錄


徐淑賢(2012)。台灣士紳的三京書寫:以1930-1940年代《風月報》、《南方》、《詩報》為中心〔碩士論文,國立清華大學〕。華藝線上圖書館。https://doi.org/10.6843/NTHU.2012.00242
涂慧軒(2010)。臺灣知識份子的媒體公共發聲經驗:1910-1930年代報刊中的社會風尚批判〔碩士論文,國立清華大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0016-1901201111401241
陳彩鳳(2013)。日治時期漢文人的「美人觀」-以《三六九小報》為中心〔碩士論文,國立中正大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0033-2110201613533080
邵芷耘(2014)。論《風月報》中的新女性:學生、給仕與演員〔碩士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-0412201512031034
陳雅惠(2014)。不奇之奇-國語版《海上花》的家與常〔碩士論文,國立中央大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0031-0412201512000212

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