English Abstract
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This research discusses on the possibility of the development and creation of chinese ink painting, which focuses on the interaction with heterogeneous images in chinese ink painting.
Chapter one is Introduction. This chapter introduces the current development of Chinese ink painting, the author’s creative attitude and his concerns of daily life. The author attempts to show his concerns of daily life by his works.
Chapter two is Theoretical Framework. This chapter introduces the development of chinese ink painting between cross strait and Post-literati Chinese Color Painting with the culture of self-identity in Taiwan. Because of the different identification between ancient intellectuals and current intellectuals, the author argues that the art works should create with modern languages and methods.
Chapter three is Discussion of Images in Chinese Ink Painting. With the relationship of human-animal images, this chapter introduces the changes of animal images in art history. In order to analyze the creations of human-animal art works, this chapter also discusses the myths of human-animal objects. The author attempts to use the human-animal objects to imply the phenomenon in abnormal daily life.
Chapter four is Dialogue of Heterogeneous Images. The author analyzes the creative methods from three aspects which are the creation with papers, the creation from personal images and the analysis on the creation of human-animal.
Chapter five is Art Works Analysis. The author divides his art works into “Phenomenal series” and “Distinctive series” and makes statements about his works. “Phenomenal series” is about the attempt and creation of personal images; “Distinctive series” is about the reflection of daily life, which is the creation of human-animal works
Chapter six is Conclusion. The author reviews his works and expresses his future creative perspective.
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