「遊台灣」、「環島旅行／觀光」電影的建構與論述實踐

本研究目的在探討以「遊台灣」、「環島旅行／觀光」為題材的電影敘事風格特色原素有哪些。一方面將其元素比對「制度化再現模式」IMR（The Institutional Mode of Representation），觀察是否出現本土抗衡元素；另一方面找出特色背後的「文化符碼」，進而勾勒出台灣社會存在的多重論述。本研究分析《王哥柳哥遊台灣》、《單車環島日誌練習曲》、《帶一片風景走》、《陣頭》等四部電影。採用影片分析法分析影片「敘事」及「風格」元素；並以神話學分析法呈現文化現象，再據此論述台灣島內人與社會的共存關係。研究結果顯示：四部影片中共出現八種「自主」、「改造」IMR 的本土抗衡特色元素。特色元素分析出「文化符碼」，經歸納後形成種族意識、歷史認知、倫理道德、土地意識、環保意識、生活意識、生命觀等七個層面陳述，並與電影產製層面共同描繪台灣島嶼上人與社會的共存關係。

關鍵字

環島電影；文化符碼；敘事；風格

並列摘要

The purpose of this study is to explore the features of film narrative styles in the films types of ”Travel around Taiwan” and ”Trip / Tour around Taiwan”. On one hand, we compare the elements to the IMR (The Institutional Mode of Representation) to observe whether there are local contended elements. On the other hand, we try to identify the ”cultural codes” behind the features, which outlines the multiple exposition of Taiwan society. This study analyzes four films, Brother Liu and Brother Wang on the Roads in Taiwan, Island Etude, Leaving Gracefully, and Din Tao: Leader of the Parade. The present research uses the video analysis method to analyze elements of ”Narrative” and ”Style”, and the Mythology method to presents a cultural phenomenon discussing the symbiotic relationship of people and society of the island of Taiwan. Research results shows four films consists of eight kinds of elements of ”independent” and ”transformation” of the IMR local contended characteristic. The featured element analysis of ”cultural codes” is summed up forming seven-level statements as racial consciousness, historical awareness, ethics, awareness of land, environmental awareness, awareness of life and outlook on life. Together with the film production system levels, it depict the coexistence relationship between people and the society on the island of Taiwan.