本文企圖從1920年代出現在法屬印度支那中越南的「印度支那建築樣式」,透過其出現前後的社會背景,了解法國人為何在越南興建混合在地風格的建築。以建築師埃布拉德(Ernest Hébrard)為代表,興建了一系列建築,包含了代表印度支那聯邦的官廳行政建築、天主教教堂、本地人中學,還有與法國遠東學院建築師合作興建的博物館。過去多認為這類建築與都市計畫息息相關,但藉由對其建築的分析比較,了解其設計的特色與理念,實是以建築師的建築專業呼應了當時的社會與建築議題。 印度支那樣式建築突破以往複製西方法國的樣式,而將目光投向殖民地在地的傳統建築,從中獲取靈感、思索如何在印度支那發展新的建築樣式。藉由本文的研究,這些建築將使我們對於越南在法國殖民時期的建築發展與意義,有更深入的認識。
This thesis is attempted to understand from the Indochinese Style architecture which built during 1920s in Vietnam of French Indochina. By knowing the background of its appearance, to figure out why French People built this kind of architecture in Vietnam. Ernest Hébrard as an official architect of French colonial government planned a series architectures not only including governmental buildings and academic institutions which represented French Indochina Union, also the church, secondary school for local people and the Museum which cooperated with EFEO’s architect. In the past, it usually connected these architectures to urban planning. In fact, by analyzing these architectures, it shows the fact that the architects tried to respond to the social and architecture issues. The Indochinese style architecture broke through the stereotypes of Western or French forms. Architects turned their eyes on local architecture in colony, applied the local motif to a new architecture style. Therefore, through this research, would deeper the understanding of the architectures during the French colonial period in Vietnam.
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