The study explores the dynamic relations between the body aesthetics and the formation of cultural identities among Taiwanese women in Britain. The bodies of migrant women are a key site where transnational power is produced, inscribed, and sometimes challenged. Using primarily ethnographical data, the present research engages in depth with the everyday bodily practices of these women, examining the body aesthetics and identities formed in the diasporic community. It is found in the study that bodily aesthetics and the related cultural identities are rather situated in this community, as what ‘migrant Taiwanese femininity’ means needs to be negotiated and re-negotiated with specific audiences and located in cultural, temporal and spatial contexts. I argue that constantly caught between the tensions of the highly westernised bodily discourses in Taiwan and the Orientalist gaze that ‘Asianizes’ their bodies in Britain, these migrant women’s bodily aesthetics is theoretically significant for it foregrounds the volatility and situatedness of both body aesthetics and cultural identity among diasporic women.