DOI
stands for Digital Object Identifier
(
D
igital
O
bject
I
dentifier
)
,
and is the unique identifier for objects on the internet. It can be used to create persistent link and to cite articles.
Using DOI as a persistent link
To create a persistent link, add「http://dx.doi.org/」
「
http://dx.doi.org/
」
before a DOI.
For instance, if the DOI of an article is
10.5297/ser.1201.002
, you can link persistently to the article by entering the following link in your browser:
http://dx.doi.org/
10.5297/ser.1201.002
。
The DOI link will always direct you to the most updated article page no matter how the publisher changes the document's position, avoiding errors when engaging in important research.
Cite a document with DOI
When citing references, you should also cite the DOI if the article has one. If your citation guideline does not include DOIs, you may cite the DOI link.
DOIs allow accurate citations, improve academic contents connections, and allow users to gain better experience across different platforms. Currently, there are more than 70 million DOIs registered for academic contents. If you want to understand more about DOI, please visit airiti DOI Registration ( doi.airiti.com ) 。
A Corpus-based Study of Eileen Chang’s Translation Styles: A Case Study on The Rice Sprout Song
黃怡瑋 , Masters Advisor:高照明
英文
DOI:
10.6342/NTU201901095
疊字 ; 張愛玲 ; 譯者風格研究 ; 語料庫翻譯研究 ; 語料庫風格研究 ; reduplication ; Eileen Chang ; translators’ styles ; corpus-based translation studies ; corpus stylistics


- English References
- Anthony, L. (2018). AntConc (Version 3.5.7) [Computer Software]. Tokyo, Japan: Waseda University. Retrieved from www.laurenceanthony.net/software.
- Baker, M. (1992). In other words. London: Routledge.
- Baker, M. (1995). Corpora in translation studies: An overview and some suggestions for future research. Target, 7(2), 223–243.
- Baker, M. (1996). Corpus-based translation studies: The challenges that lie ahead. In H. Somers (Ed.), Terminology, LSP and translation: Studies in language engineering in honour of Juan C. Sager (pp. 175–186). Amsterdam: John Benjamins.