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倚坐歌仔戲窗口思索舞台上顛鸞倒鳳的成因

林沿瑜 , Masters  Advisor:鍾蔚文;方念萱  

繁體中文

反串坤生乾旦跨性別歌仔戲男扮女裝女扮男裝

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Abstract 〈TOP〉
    Reference ( 159 ) 〈TOP〉
    1. 王志弘(1996)性別化流動的政治與詩學。國立台灣大學建築與城鄉研究所博士論文。
      連結:
    2. 王浩威(1996.11)是誰的慾望在流動?表演藝術,第48期。台北市:國立中正文化中心。
      連結:
    3. 毛文芳(2006.12)一則文化扮裝之謎:清初〈楓江漁父圖〉題詠研究。清華學報,第三十六卷第2期。台北:清華學報社。
      連結:
    4. 邱靖宜(2005)邱心如及其《筆生花》研究。國立中山大學中國語文研究所碩士論文。
      連結:
    5. 林顯源(1994)淺論戲曲「現代戲」表演程式動作之未來發展方向。參見:林顯源個人網站(http://www.sheanyuan.idv.tw/)。
      連結:
    Times Cited (3) 〈TOP〉
    1. 劉昀欣(2012)。性別的穿梭者:色情遊戲文本的性逆轉現象初探。政治大學廣告研究所學位論文。2012。1-110。
    2. 官亦書(2013)。黃香蓮電視歌仔戲文本研究。台灣文學與跨國文化研究所。2013。1-119。
    3. 黃雅琪(2016)。孫翠鳳演藝歷程與表演藝術之研究。彰化師範大學台灣文學研究所學位論文。2016。1-436。
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