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  • 學位論文

歷史脈絡下藝術植入的場域實驗-從臺南市民權路「藝術建醮」與海安路「街道美術館」,探究藝術進入歷史街區的影響與意義

An Art Experiment Implanted in the streets of a Historical District- The Status Quo and Crisis of 〝Mincyuan Road Art Festival〞 and〝Hai An Road Street Museum〞when Contemporary Art meets Historic Streets in Tainan City

指導教授 : 黃海鳴

摘要


「實驗」,代表著一種新的嘗試與不確定性。「植入」,則象徵著一種漸進且具有辯證過程的介入狀態,成之就此開枝散葉,反之則花萎葉凋。2004年開始進行至今的臺南海安路街道美術館,在一個失敗的都市計畫街道中,策展團體試圖以建構一個「美麗新世界」為職志,在錯誤的道路開發中以藝術去縫補傷痕,並讓街道的歷史與榮景重新獲得召喚。而這場藝術計畫「植入」的前身,策展人已於2003年臺南市民權路上策劃了「藝術建醮-歷史街區地景藝術再造計劃」,為當代藝術進入歷史街區揭開了序幕。無論是「藝術建醮-歷史街區地景藝術再造計劃」或海安路藝術造街的四期計劃,這場藝術行動,像是一株開滿燦爛藝術花朵的外來植物,被植入具有深厚歷史涵養的土地,勢必有各種困難與適應過程,是榮是枯,是開始還是結束,成為所有社造或藝評研究的深刻命題。 而本研究則試圖從公部門、社造團體、藝術團體,這三個社群中以訪談研究,深入了解藝術計畫的來龍去脈與不同社群對於藝術植入的過程或結果,有何看法上的異與同,交集或衝突;除此之外,在民眾的意見與看法蒐集上則以在台南市民權路二段與海安路藝術造街的範圍內,對社區居民與遊客進行問卷調查,期待能從量化的問卷研究中整理出民眾對於藝術進入社區的看法為何。因此本研究以質性訪談輔以調查研究法,希冀能從中整理出當代藝術進入歷史街區的影響與效應,並提供未來有志於以藝術進入歷史街區或其它社區的個人與團體,甚至於是公部門一個參考的面向,思考藝術介入社區這個跨領域的命題,該如何以更好的策略將藝術根植於土地,讓社區因藝術而水乳交融,並且擁有一個跨界且共榮的美麗新世界!

並列摘要


An "Experiment" represents a fresh attempt and often entails uncertainty. "Implantation" symbolizes the dynamic process of stage-by-stage intervention and adaptation. In 2004,the project of "Hai-An Road Street Museum" in Tainan was launched among the streets that had been the result of a disappointing urban planning. The project was aimed at mending a scarred streetscape through reconfiguring these streets from the perspective of art and evoking their history that had long been forgotten. The predecessor of this project was the "2003 Mincyuan Road Art Festival" in Tainan, which can be seen as the overture of the introduction of contemporary art into historic streets. These art projects, like strange and outlandish plants, have been trying to adapt to the soil of a long tradition. Difficulties and challenges have emerged because of this encounter between the old and new, and whether these exotic flowers will continue to flourish or wither has become the main concern of the art studies community in Taiwan. This study intends to understand the context of these art projects and how various communities agree or disagree upon the process and result of the implantation of art by interviewing three different groups, namely, public sectors, community development groups, and art groups. Besides, in order to base its research on quantitative data, the paper also incorporates questionnaires specifically focusing on the Mincyuan Road Art Festival" and "Hai-An Road Street Museum." The questionnaires were filled out by local residents and tourists who offered a general public's point of view on these projects. Therefore, the study uses qualitative interview as well as survey research method so as to investigate the impact that these art projects have had on historic neighborhoods. Hopefully, the paper can provide individuals or groups that are interested in bringing art into communities, or even public sectors, with a new perspective to reflect on how better strategies can be formed to help art become deeper rooted in the land, and communities, reinvigorate themselves by embracing art.

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被引用紀錄


黃怡華(2014)。歷史建築再利用與街廓轉變之研究:以建成小學校舊址所在街廓為例〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846%2fTKU.2014.00607

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