本創作論述<婚紗照:消費幸福之後>,主要探討婚紗照在消費體系下所處的地位,以及此議題所延伸的創作自述。共分五個章節,分別是 第一章 緒論:論述研究動機、創作目的與範疇表達創作意圖。 第二章 對焦當下的幸福:論述婚紗照的背景及其相關探討,藉由對焦與失焦的隱喻,進行對於〝看〞的意義之探討,藉此說明創作的關注面象。 第三章 婚紗消費與包裝後的新符號:論述在消費體系中,符號消費的現象以及作為此現象的非日常自我表演特性,並舉出其他藝術家的作品,找尋在消費議題上以〝諧擬〞的創作系統做為創作背景的交代。最後以作品本身提問,反應身處當代消費體系下的無奈與窘境。 第四章 婚紗消費議題的作品論述婚紗。 第五章 結論:反省創作不足與待改進之處,論述總結。
I attempted to show a situation about‘Wedding photos’in consuming system and used works to discuss this contemporary phenomenon. The statement includes five chapters:In chapter 1, it explains what I want to criticize in‘Wedding photos’and its commercial operation. In chapter 2, it goes deeply into the vision with focus and lost focal point by literature and the form of works. In chapter 3, it discusses about a symbol of consumption that point out an embarrassed situation who is living on the present life, different from the presentation of self. And try to find out parody by other artist's works to illustrated my point. In chapter 4, I stress the artist statement including the background and elements placed into the works. Chapter 5 is the conclusion of this dissertation.