沈從文1940年代文學研究

鄭昀

指導教授 ： 劉正忠

國立清華大學/人文社會學院/中國文學系/碩士(2014年)

https://doi.org/10.6843/NTHU.2014.00154

摘要

本論文主要以沈從文1940年代之文學作品為研究重點。本文共分為六章。第一章為緒論，主要是爬梳關於沈從文1940年代的文學與史學研究，並綜觀沈從文1940年代的生命歷程，建構沈從文之人格與文學的關係，並提出本論文各章節的安排。第二章以分析《七色魘》之文學技巧、風格、主題等，串聯《七色魘》各篇章之間的關係。第三章以1940年代之〈燭虛〉、〈生命〉、〈水雲〉、〈雲南看雲〉、〈定和是個音樂迷〉、〈一個傳奇的本事〉六篇散文為分析對象。分析沈從文此時對於生命、內在的探索以及對藝術的觀點。第四章從《看虹摘星錄》、《雪晴》、〈動靜〉、〈王嫂〉、〈鄉城〉、〈虹橋〉六篇中短篇小說切入，分析這些創作中連貫的主題、特殊的意象與寫作風格。第五章分析長篇小說《長河》背景的書寫以及對於「語言權力」的重視，延伸出關於「新／舊」、「鄉土／現代」的主題。第六章為本論文的總結。統整前四章之研究，描繪沈從文1940年代文學的整體樣貌，並肯定其文學與藝術價值。

關鍵字

沈從文 ； 1940年代 ； 《七色魘》 ； 《看虹摘星錄》 ； 《雪晴》 ； 《長河》

並列摘要

This thesis will focus on Shen Cong- Wen’s some selected literary works during 1940s. The first chapter provides a short general introduction about Shen’s literature in 1940s and a review of the criticism about Shen’s writing. It is obvious that Shen’s personal life experience during this decade has considerable influence over his literary works. Finally, the arrangement of the following chapters is briefly introduced.
Chapter Two includes a detailed analysis of “Qi Se Yan” (The Nightmare with Seven Color), in which the themes, the connections among the episodes, the author’s writing style and skills are studied. In Chapter Three, “Zhu Xu”(False Candle), “Sheng Ming”(Life), “Shui Yun”(Water Cloud), “Yun Nan Kan Yun”(Watching Cloud in Yun Nan ), “Ding-He Shi Ge Yin Yue Mi”(Ding-He is a Music Fan), and “Yi Ge Chuan Qi De Ben Shi”(A Legendary Story) are selected examples of Shen’s proses to present the author’s perspectives on life and his insights into art. Chapter four is concentrated on Shen’s six short stories in 1940s: “Kan Hong Zhai Xing Lu”(Gazing at Rainbow ), “Xue Qing”(After Snow), “Dong Jing”(Movement), “Wang Sao”(Amah Wang), “Xiang Cheng” (Rural Town), and “Hong Qiao”(Rainbow). The coherent literary themes, symbolic images, and the fusion of modern writing and realist skills are discovered and analyzed. “Chan Ghe”(Long River), in Chapter five, reveals the special writing technique on illustrating the setting and the “power of language,” in which the juxtapositional ideas of new(modern)/old (tradition), and rural (countryside)/city (modern world) are observed. Conclusively, Chapter 6 summarizes and integrates the previous four chapters, and affirms Shen’s artistic contribution in literature.

參考文獻

蔡英俊，〈「敘述」的邊界──兼論敘述、敘事，與描寫〉。《清華大學學報》第5期（2011.6）：頁3-44。

鄭穎，〈自逃遁到身心安頓──沈從文、汪曾琪文學與文物書寫軌跡〉。《中國現代文學》第16期（2009.12）：頁225-246。

王德威，〈頭的故事──歷史，身體，創傷敘事〉。《漢學研究》第29卷第2期（2011）：頁245-278。

董淑玲，《沈從文小說中鄉土意識之分析》。國立中山大學中國文學研究所，碩士論文，1993。

參考書目