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  • 學位論文

世界宗教博物館之設計論述研究

Design Discourse of Museum of World Religions

指導教授 : 蔣雅君
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摘要


本研究以世界宗教博物館為研究對象,特別針對其空間生產過程中形塑的文化想像,解讀宗教空間化之後,再現文化意涵的轉變進行研究,探討宗博館以跨國設計合作的空間生產模式,釐清其跨國設計團隊之於宗博館空間的文化形塑。藉此回應抽象心靈商品作為文化資本塑造的計策下,透過博物館文化載體塑造的空間形式,進而體現跨域美學構成的空間經驗,其文化想像經由再現機制的生產,營造當代消費文化空間的具體落實。 宗博館是宗教團體為尋求入世管道,推展而出的文化生產;同時也是國內宗教博物館裡,唯一以多宗教文化展現於空間內的博物館,更以跨域、跨國設計的方式,進行博物館的空間生產。單從宗教成為博物館化後的產物來看,其實就是藉由心靈成為文化資本的途徑,輾轉將現代心靈淪為文化商品的一環,進一步地將心靈想像,以視覺化經驗為主導,透過實際空間設計的生產,承襲西方現代設計的博物館空間藍圖,詮釋東方業主宗教背景眼觀下的文化意涵;它帶有著宗教團體在入世的進程中,透過博物館文化空間,集結心靈想像和文化品牌的呈現,更帶著消費文化空間設計的特性,透過跨國設計公司文化移植的方式,實踐於本土環境上。 本文以宗博館空間生產和文化想像的向度,來看待抽象心靈商品的空間建構,從空間實踐、設計過程、視覺化空間經驗、迪士尼化和宗教百貨公司等面向,解讀跨國設計公司提供實體空間商品型錄的策略,如何透過設計原型的出產,複製實踐於亞洲當代博物館的空間設計形式,其文化再生產的機制,經由跨域美學的文化再現,呈現出心靈博物館之於當代消費文化空間的奇景。並以設計論述的書寫向度,來看待當代博物館設計在全盤視覺化構築的潮流中,設計交疊文化再現的另類生產,探討文化資本浪潮下的抽象化象徵價值,擠身成為當代設計的核心,透過文化研究的撰寫結構,反思自覺當代社會生產設計下的文化空間形式。

並列摘要


In the research, the Museum of World Religions,was used us the research target. Investigation was carred out on the space production process in shaping the cultural imagination and interpret religious space, reproduce the cultural implications of the shift to conduct a study into the cases Museum multinational design space production model clarify its multinational design team in shaping the culture of the cases Museum space. Abstract mind merchandise as a cultural capital shape the plan shape of the space in the form through the museum culture carrier to take to respond to, and thus reflect the cross-domain aesthetic experience of a space, its cultural imagination through the reproduction mechanism of production,and create a concrete implementation of contemporary consumer culture space . The Museum of World Religions is also the religious groups to let the public know, promotion out of the cultural production; domestic religious museum, the only multi-religious culture show at the space museum, museum space, but also to the way of cross-domain, cross-border design production. By looking at religion became a museum after the product is actually a way to become the cultural capital by the mind and, after the modern mind reduced to a cultural commodity, further the spiritual imagination, visual experience through actual spacedesign production, inherited the blueprint of the modern Western design museum space, the interpretation of the religious background of the Orient owners Grossly under the cultural implications; with with religious groups in the process of accession to the Museum of World Religions, through the museum and cultural space, build the mind to imagine and presentation of cultural brandmore with the characteristics of the consumer culture space design, through transplant multinational design company culture, practice in the local environment. The production of this paper were Musuem space and dimension of cultural imagination, to look at abstract spiritual commodity space constructed practice from space, the design process, the experience of visual space, Disneyfication and religious department stores for providing a physical interpretation multinational design company space merchandise catalog strategy, how to produced through design prototype, copy the practice space in the form of cases Museum, its cultural reproduction mechanism, via cross-domain aesthetics of cultural reproduction, showing the wonders of the mind museum of contemporary consumer culture space . And dimension to the design discussed writing to look at the contemporary museum design, design build the trend of the overall visual the overlapping cultural representation of alternative production, explore the abstract symbolic value in the next wave of cultural and economic, the crowd became the core of contemporary design , through cultural research writing structure to reflect the perceived cultural space in the form of contemporary social production design.

參考文獻


葉錡欣(2011),《從國族文物到城市資本積累:臺北故宮博物院文化形式的變遷》,中原大學,建築系研究所碩士論文。
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鄭華倫,(1994,10月),〈聞世界宗教博物館創建理念有感〉,《人類與文化》30,頁40-43。
張婉真,(2012.7月),〈真實與虛構-科學展覽的敘事邊界〉,《博物館學季刊》26:3,頁61-75。
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被引用紀錄


林家豪(2015)。臺中文學館文化治理之研究〔碩士論文,中原大學〕。華藝線上圖書館。https://doi.org/10.6840/CYCU.2015.00080

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