吳中女詩人的詩情與詩學──清溪吟社研究

清代閨秀作家輩出，無論是閨秀作家的人數、作品的數量，乃至於彼此之間的文學活動，皆達到前所未有的繁榮新局。乾隆時期張允滋等吳中閨秀結「清溪吟社」，以任兆麟為師，談詩論藝，一時稱盛。本文即擬由清溪吟社作為觀察點，探討清代閨秀文學繁盛之際，所出現的另一現象──閨秀結社所代表女性文學創作上之意義。並且經由對吳中清溪吟社之討論，觀察清代女性文學發展達到高峰與江南地區之地理、歷史、經濟……等方面之影響與關連，並由此得出促成女性文學於清代高度發展之各種因素。並且於本文中，針對吳中清溪吟社所出版之《吳中女士詩鈔》展開討論，藉由深入探討女性文學作品本身，以期得出女性以創作記事、抒情外，於創作所蘊含之女性自我意識。

關鍵字

清溪吟社；閨秀；女性文學；女詩人；吳中女十子

並列摘要

In Ching dynasty, there appeared many lady writers, excellent literary works, and numerous literary activities among writers, and it reached a high tide in the period. Chang yün-tzu and other kui- hsiu in Soochow organizing a poetry society named Chinghsi Society came under the instruction of the teacher Jên chao-lin to talk about poetry and art, and they made the literary activities thrive at that time. From the viewpoint of Chinghsi Society, this article is intended to look to another phenomenon that is in female composition what the significance of young ladies’ society is in this period of prosperous kui- hsiu literature. Through the discussion of Chinghsi Society in Soochow to observe the impact as well as connection between geography, history, economy and other factors in ChiangNan area and the female literature which reaches its height in Ching dynasty, and from hence to conclude what the reasons of female literature’s highly development in Ching dynasty are. The article will also have a discussion on Wu chung nü shih tzu shih ch'ao to discover the self-consciousness in women writings besides composing memorandum and lyrics through going deep into the female composition.