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韓劇影音的流動與下載

祁容玉 , Masters  Advisor:蔡如音  

繁體中文

韓劇韓流網路下載網路社群影音分享

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Abstract 〈TOP〉
    Reference ( 35 ) 〈TOP〉
    1. 吳心惠(2005)。《流動的影音科技消費與複製─從錄影帶到光碟》。國立台灣師範大學大眾傳播研究所碩士論文。
      連結:
    2. 張維安(2001)。〈文字模式線上訪談的特質及其限制〉,《資訊社會研究》,1:279-297。
      連結:
    3. Condry, I. (2004). Culture of music piracy: An ethnographic comparison of the US and Japan. International Journal of Cultural Studies. 7(3), 343-363.
      連結:
    4. HU, K. (2005). The power of circulation: digital technologies and the online Chinese fans of Japanese TV drama. Inter-Asia Cultural Studies. 6(2), 171-186.
      連結:
    5. Jones, S. (2002). Music that moves: popular music, distribution and network technologies. Cultural Studies. 16(2), 213-232.
      連結:
    Times Cited (10) 〈TOP〉
    1. 鍾亞芳(2014)。大眾媒體如何建構國族意識— 以2010年廣州亞運楊淑君失格事件報導為例。淡江大學大眾傳播學系碩士班學位論文。2014。1-130。 
    2. 陳雅玲(2014)。類型及性別想像:論韓劇的在台接受。台灣文學與跨國文化研究所。2014。1-102。 
    3. 馮昭(2013)。臺灣政論談話性節目之政經分析,1993-2013。臺灣大學政治學研究所學位論文。2013。1-186。 
    4. 謝琬婷(2008)。誰才是盜版的推手?-反思日劇在台灣之流通與消費。淡江大學大眾傳播學系碩士班學位論文。2008。1-98。
    5. 陳姿伶(2008)。台灣年輕男性韓劇閱聽人的收視經驗。臺灣師範大學大眾傳播研究所學位論文。2008。1-143。
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