後現代主義之電腦疊文風格在視覺設計上之創作研究與應用

鄭有耀

指導教授 ： 康台生

國立臺灣師範大學/藝術學院/設計研究所在職進修碩士班/碩士(2005年)

摘要

中文摘要

綜觀一個設計的流行與延續，視覺的思考及風格的特色，皆能反映出一個時代的潮流；然而，面對社會訴求及文化的特質，他是多元的；也正因為如此，如今的設計已不再是過去大家所熟知的設計風格，而是一個諸多面向的設計；或許，這正是現今的設計正遭逢後現代主義思潮的影響，因而產生不同的風格特色。或許，也正因為如此，後現代主義的思潮，更助燃了設計在視覺文化的一種新思維與風貌。
在後現代視覺設計裡的風格繁多，但本研究僅以「電腦疊文風格」為主要研究，並從相關文獻中去探討、歸納並整合，深入了解後現代主義之電腦疊文風格之設計，並依其所相關之形式、屬性及所運用之手法加以彙整，並且進一步將所研究之電腦疊文風格的美感要素，透過數位的延伸運用，在視覺設計裡，衍生出更多的相關設計。
本研究共計五章，第一章緒論，所論述的包含研究研究背景與動機、研究目的，並依研究方法與限制，擬定研究架構與流程。
第二章則是文獻探討，藉由後現代主義文獻，瞭解其相關的設計風格與派別，以及在疊圖疊文部份?堙A圖與文字元素的如何利用，包括：文字的字體美學與圖像的種類與表現、溶化字型與高斯模糊字型的特色等。其目的乃在於探討電腦疊文風格形態之表現方式以及圖像、文字在視覺設計上的應用與價值，是否能為日後設計時，提供設計者參考之依據。
第三章則是對電腦疊文風格運用在視覺設計上之研究，並透過現有之案例，對疊圖與疊文、色彩應用、表現技法等，進行相關分析。
第四章則是敘述本研究之創作理念、過程及表現方法，並且分解本創作時，所運用之相關元素及方法。
第五章為本文結論與建議，並對後續研究者，提出相關的建議與展望。

關鍵字

後現代視覺設計 ； 電腦疊文風格 ； 高斯模糊 ； 溶化字體

並列摘要

Abstract

To conduct a comprehensive survey on the popularity and extension of a design, the contemplation of vision and characteristics of style can all reflect the trend of time. However, facing with the social appeal and the characteristics of culture, it is diversified. Because of this, the design nowadays is no longer the design style that everybody is familiar in the past and instead it is a design of many directions or may be the design of today is encountering the influence of the trend of thought of modernism thereby generating characteristics of different styles. May be because of this, the trend of thought of modernism will even ignite a kind of new thinking and appearance in visual culture.
In the postmodern visual design, the styles are too many. However this research is only based on 「Computer Overlap character Style」as the main research and will conduct study, summarization and integration from related documents. By gaining an in-depth understanding on the design of computer overlap character style of the post modernism, collective arrangement is conducted on its related form, attribute and method used. In addition, further research is conducted on the essential factors of the aesthetic perception of the computer overlap character style. Through the utilization of digital extension, more related design can be derived.
This research has a total of five chapters. Chapter 1 is preface that discussion will include the research background and motive and research purpose and then the research structure and flow are drawn up based on research method and limitation.
Chapter 2 is document study. Through documents on post modernism, an understanding can be gained on its related design style and schools and how to utilize picture and character element in the overlap picture and overlap character including: aesthetics of script and the category and performance of picture, dissolved character type and characteristic including Gaussian blur character form etc. Its purpose is to conduct study on the performance method of computer overlap character form and the application and value of picture and character in visual design whether it can serve as a basis of reference for designers during their design in the future.
Chapter 3 is a research on the application of computer overlap character style in visual design and relevant analysis is conducted on overlap pictures and overlap characters, color applications and performance techniques etc. through present case examples.
Chapter 4 is a description on the creative work philosophy, course and performance method of this research. In addition, what is the related element and method utilized during decomposition of this creative work?
Chapter 5 is the conclusion and suggestion of this essay and relevant suggestions and prospects are presented to subsequent researchers.

並列關鍵字

Postmodern visual design ； computer overlap character style ； Gaussianblur ； dissolved character type

參考文獻

8.漢生科技有限公司 著，1997，電腦設計與出版實務，台北市，漢生科技有限公司。

6.李天來 著，1998，新視覺設計---文字應用設計，台北市，羲之堂文化出版事業有限公司。

2.王水蓮，91，台灣後現代窺現象之表現，國立台灣師範大學。

參考文獻

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