再符號

Re-symbolization

林侑萱(Yu-Hsuan Lin)

指導教授 ： 張基義

國立交通大學/人文社會學院/建築研究所/碩士(2009年)

https://doi.org/10.6842/NCTU.2009.01013

摘要

>識別/符號
識別，譯自英文的identity，意指個人如何認知到自己是不同於別人的獨特個體。identity的成形，是來自於人對意義感有不斷探索的渴求，過程當中所凝聚出來的自我想像，會藉由各種抽象與具體的手段，對外（也對自己）宣示存在的價值。
德國哲學家卡西爾（Ernst Cassirer）提出--人其實是「符號的動物」，因為人是唯一能「創造」與「使用」符號的物種，透過語言、科學、宗教等人為（man-made）符號系統，我們理解與掌握世界，創造了文明。在一種認知體系中，符號是指代一定意義的意象，可以是圖形圖像、文字組合，也不妨是聲音信號、建築造型，甚至可以是一種思想文化、一個時事人物。空間的識別，顯然也是一種符號系統，它包含了文字、圖片、顏色、標誌等元素，每個元素之間有對應的結構關係，作為抽象意念表達的溝通媒介。
>抽象-現實-表現
按Charles Peirce, Charles Morries兩者就符號學的分類：
1.圖像符號：建築的形式和內容存有著型似的關連﹝材料﹞
2.指示符號：建築的形式和內容存有著實質的因果﹝門窗﹞
3.象徵符號：建築的形式和內容建立起來的任意性關聯
此處的符號指的是象徵符號-Symbolic Representation，一種抽象概念的符號化與結構化；本研究分別就四個不同面向--行為、空間、感官、概念原型，於空間的識別上加入了自我的知覺、感官，以重新解釋/定義，並予以再符號re-symbolization的表現。
在Symb-reading2.0的部分再符號數位網路化下，人/書架/資訊之間的關係，透過Classify→Tag→Interact的動作，使用者的閱讀經驗亦成為圖書館「書架」上的一部分。Symb-deconstruction of historic space，就台北城發展的脈絡，錨定記憶與歷史於空間中的定位、城市發展與活動的關係；以一半閒置的歷史空間為舞臺進行解構、重構與再符號的台北城博物館。Symbolization of tectonic materials透過個人對構造材料的感官對原有的材料再符號，反應人對空間需求的潛意識並透過對材料的解讀架構空間書寫的「語法」，作為潛意識物化的工具；最後以自宅為設計操作的對象進行空間的實現。Vertical symbolic of specific community則以五條港區一個街屋類型的街廓作為社區原型，重新定義一村落尺度的模型於高密度城市中的空間內涵與相對關係(repeogram)；依城市發展的趨勢，對此街屋類型發展的社區原型做垂直化的再符號。

關鍵字

符號 ； 建築設計 ； 圖書館 ； 博物館 ； 住宅 ； 垂直村落

並列摘要

>Identity/Symbol
Identity means how individuals perceive themselves as unique and different from others. Because human beings are constantly searching for their value, identity is simply a self-imagination during such process, where people declare their existence by any abstract or concrete means.
In fact Ernst Cassirer, a German philosopher stated that man is a “symbolic animal”. Because they are the only species in the world capable of creating and using symbols through languages, science, religion and other man-made symbol system. By creating civilization, man understands and is able to grasp this world. In a cognitive system, symbol represents the image of things, which could be graphic images, composition of words, voice signals or construction styles. Moreover, it could also be ideological or cultural. In this sense, the identification of spaces is clearly a symbol system that includes texts, pictures, colors, logos and other elements. Each element responds to each other in order for man to communicate (or to express) their thoughts.
>Abstraction-Reality-Representation
According to Charles Peirce and Charles Morries, semiotic is classified as three categories:
1. Iconic Representation: a relationship between architectural forms and their concepts (material).
2. Analogical Representation: a causal relationship between architectural forms and their concepts (doors and windows).
3. Symbolic Representation: an arbitrary correlation established between architectural forms and their concepts.
The symbols here refer to the symbolic representations as symbolization and structures of abstract concepts. This paper is divided into four parts--activities, space, senses, and concept of space prototype by adding self-perception and sensory in identification of space to give re-interpretation / definition for re-symbolization.
“Symb-reading2.0”- it aims to re-symbolize the relationship between people, books and information through the action of “Classify→Tag→Interact”, which allows the reading experience to be parts of “shelves” in the library.
“Symb-deconstruction of historic space”- according to the development of Taipei City, this paper anchors the memory and history in space as well as the relationship between city development and activities, by taking a semi-idle place as a site to deconstruct, reconstruct and re-symbolize the Taipei City Museum.

“Symbolization of tectonic materials” talks about the re-symbolization of original materials by adding personal senses to them. Respond to the subconscious of space requirements, I want to create syntax for space writing through interpretation of materials. The final part takes practice of self-dwelling as the realization of space.
“Vertical symbolic of specific community”- deals with a street-house typology in Wu-Tiao Gang area as a community prototype to further redefine and reprogram the model of village scale positioned in the city. According to the trend of city development, vertical re-symbolizes this community prototype of street-house development.

並列關鍵字

symbolization ； architecture design ； library ； museum ； housing ； vertical village

參考文獻

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