《梵天》原創管絃樂作品與註釋

蔡承哲

doi:10.6842/NCTU.2014.00527

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《梵天》原創管絃樂作品與註釋

BRAHMA AN ORIGINAL ORCHESTRAL COMPOSITION WITH COMMENTARY

蔡承哲 , Masters　　Advisor：李子聲　　

繁體中文 DOI： 10.6842/NCTU.2014.00527

管絃樂曲；儀式性；梵天；四面佛；音樂與信仰； Orchestral work ； Ritual ； Brahma ； Four-faced Buddha ； Music and belief

Abstract │ Reference (38) │ Altmetrics

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There are two parts in this thesis: an original orchestral composition “Brahma” and its commentary.
“Brahma” is a double-wind orchestral composition. The music is in ritual style. The composition is written after my belief, Brahma, the god of creation and one of three dominant gods of Hinduism along with Shiva and Vishnu. Brahma was subsumed as a Guardian until after the rise of Buddhism, and worshiped readily also called four-faced Buddha later in Thailand. Therefore the composition reflects by my personal experience and exploration between music and belief.
The commentary is divided into three chapters. Chapter I “Compositional Background and Ideas”, illustrating the compositional background, briefly introducing Brahma, and stating the musical ideas through reviewing my former compositions. There are five sections in Chapter II “Compositional Technique”, which is to analyze the form and the structure of composition, elaborating the style and the characteristic of composition, discussing its compositional techniques in pitch, rhythm, texture, timbre and orchestration. Chapter III “Practice and Goal” discusses the self-actualization, self-examination and rethinking of composing “Brahma”, as well as the future plans for new works.

Reference ( 38 ) 〈TOP〉

3. 趙立瑋。〈《乙太》原創管絃樂曲作品與註釋〉。新竹市：國立交通大學音樂研究所碩士論文，2013。
連結：
1. Adler, Samuel. The Study of Orchestration. New York: W. W. Norton & Company, 1989.
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4. Cope, David. Technique of the Contemporary Composition. New York: Schirmer Books, 1997.
連結：
5. Cowell, Henry. New Musical Resources. Cambridge: Cambridge University Press, 1966.
連結：
6. Dallin, Leon. Techniques of Twentieth Century Composition, A Guide to the Materials of Modern Music. WM. C. Brown Company, 1974.
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