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  • 學位論文

文化敘事視覺化之空間演繹

The spacial development for visualization of cultural narrative

指導教授 : 王桂沰
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摘要


本研究朝休閒農漁園區「匠師的故鄉」設立工藝文化館為操作方向,以民間私有的閒置空間作為展示據點,視為「匠師的故鄉」場景之一,將說故事的範圍擴及整個園區,從服務、產品、活動等,組織成一個故事的表達場域,使參觀者於「匠師的故鄉」和工藝文化館的敘事設計做多方面的連結。本創作研究由休閒主題回歸於工藝,以工藝結合農民、漁業的生活智慧,企圖創造具有文化深度的休閒農漁園區。 本創作借用於近幾年設計領域逐漸受到討論的「敘事學」,嘗試從空間文化敘事的角度,提出大甲藺草編織工藝在空間展示設計上的敘事設計結構,期望能藉由彰顯文化體驗的豐富性來輔助設計的開創,並進一步深化當地文化產業的內涵。

關鍵字

情節 空間演繹 敘事 文化 傳統工藝

並列摘要


This study aims at establishing Craft and Cultural Museum in the “Hometown of Craftsman” Leisure and Agricultural Park. A private unused space is used as the exhibition site, regarded as one of the scenes in the “Hometown of Craftsman”, the narration of story is extended and covers the entire Park, including services, products, and activities, to form an expressive field of the story; as a result, the visitors can connect the narrative design of “Hometown of Craftsman” with the Craft and Cultural Museum in many ways. This project returns from the subject of entertainment to crafts and combines with the life wisdom of farmers and fishery to create a leisure and agricultural park with cultural depth. This project tries to use narratology, from the perspective of space cultural narration, to address the narrative structure of the space and exhibition design of Tachia grass weaving crafts. Hopefully, in light of the cultural experience the design can be improved and the connotation of domestic cultural industry can be cultivated.

參考文獻


(6)呂紹理(2005),《展示台灣:權力、空間與殖民統治的形象表述》,台北市:麥田出版
(15)林媛婉(2004),"台灣工藝研究的議題─ 一個後殖民文化論述的觀點",《設計學報》,第九卷(第二期)
(12)林立樹(2003),"歷史中的文化課題:對西方「文化」概念的省思",《哲學與文化》,第30卷第7期
(43)謝森中、潘盛藩(1955), "臺灣之草帽",台灣銀行經濟研究室編印,《台灣銀行季刊》第七卷第三期
(4)吳詩怡(2008),"博物館展示與客家記憶",國立中央大學客家社會文化研究所

被引用紀錄


李明坤(2011)。休閒農業區遊客滿意度與重遊意願之研究 --以匠師的故鄉葵海農場為例〔碩士論文,朝陽科技大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0078-1511201110381783

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