論戲劇情境與莎士比亞《哈姆雷特》的相互關係

The Discussion Of The Relation Between Dramatic Circumstances And Shakespeare's "Hamlet"

許綠倫(lu-lun Hsu)

《華岡藝術學報》 7期 (2003/06) Pp. 101-121

https://doi.org/10.6366/HKJTA.200306.0101

摘要

戲劇理論是對戲劇現象理性認識的結晶，其內涵是對戲劇的發展規律戲劇理論是對戲劇現象理性認識的結晶，其內涵是對戲劇的發展規律、基本要素、藝術特徵等總體性問題的研究，以及對戲劇創作各個環節的深層的探索。在現代戲劇理論中有一個潛在的趨向，在戲劇作品中，真正的戲劇性衝突，總是以戲劇性情境為基礎和條件，因為戲劇性的產生正是人與情境的契合，戲劇是用情境把握人的生命運動的藝術形式，以完成表現人的這個主體任務。本文除了對「哈姆雷特的內在矛盾」這個論點，以及其戲劇中的種種表現加以探究外，並擬劇作中分析戲劇情境與哈姆雷特延冗復仇之間的關係。

關鍵字

情境說 ； 戲劇情境 ； 衝突 ； 哈姆雷特

並列摘要

Drama theory is the quintessence of rational understanding of dramatic phenomena, which to the core is the study of general issues of drama such as its development laws, fundamentals and artistic features, and in-depth exploration of various parts of drama writing. At the same time, there is a potential trend in modern drama theory, in drama works, real dramatic conflicts are always based on dramatic circumstances, so dramatic conflicts will not take place without certain circumstance. Dramatization comes from the combination of characters and circumstances. Drama is an art to grasp characters' life motion with circumstances in the pursuit of fulfilling the major task of depicting characters. The paper not only studied the argument of ”The inner conflicts of Hamlet” and its expressions in drama play, but also intended to the discussion of the relation between dramatic circumstances and the hatred of delay in Hamlet.

並列關鍵字

circumstance theory ； dramatic circumstances ； conflict ； Hamlet