鍾喬帳篷劇作品的空間分析

An Analysis of the Spatial Form in Chung Chiao's Tent Theatre

林于竝(Yu-Pin Lin)

《藝術評論》 14期 (2004/04) Pp. 61-73

摘要

鍾喬，橫跨文學與戲劇的創作者。於90年開始他的「民眾劇場」的活動。自1995年鍾喬與日本帳蓬戲劇「野戰之月」的劇作家兼導演櫻井大造兩人在菲律賓相識之後，即展開此後深度的交流。翌年，鍾喬的第一號帳蓬劇作品《記憶的月台》由櫻井大造與鍾喬聯合執導，在華山的空地上搭帳蓬演出。2002年五月，鍾喬再度在華山的空地上推出第二號帳蓬劇作品《霧中迷宮》。透過櫻井大造，鍾喬在帳蓬劇場的空間形式當中尋找「民眾劇場」新的可能性。《記憶的月台》以降的一系列作品可以說是鍾喬探索之旅的過程。本研究將針對鍾喬的帳蓬劇，以鍾喬自1999年至2002年所發表的《記憶的月台》、《海上旅館》以及《霧中迷宮》三個作品作為分析對象，企圖探討：(l)「帳蓬劇」的空間形式如何影響鍾喬的戲劇。(2)鍾喬如何以帳蓬劇的空間形式實踐他「民眾戲劇」的理念。

關鍵字

鍾喬 ； 民衆劇場 ； 日本戰後前衛劇場 ； 帳篷劇 ； 野戰之月 ； 櫻井大造 ； 空間

並列摘要

Chung Chiao, an artist in both literature and theatre has started the activity of People's Theatre since the 90s. The intercommunion between Chung and the director/playwright of Japanese Tent Theatre group Ya Sen no Tsuki, Mr. Sakurai Daizou has begun after they met in Philippine in 1995. The year after, Chung's first play of Tent Theatre, 'The Platform of Memory' was directed by both artists and performed in empty grounds in HuaShan Arts District. In May, 2002 Chung returned to HuaShan with his second play of Tent Theatre, Labyrinth in the mist. Through Sakurai's introduction, Chung attempted to find new possibilities of People's Theatre in the spatial form of Tent Theatre. The play 'The Platform of Memory' and a series after it could be seen as such a searching process. The subject of this research would be Chung's works of Tent Theatre, focusing on 'The Platform of Memory', 'The Hotel in the Ocean' and 'Labyrinth in the mist', which took place between 1999 and 2002. The research intents to answer two questions: 1) how has Chung's work been affected by the spatial form of Tent Theatre, and 2) how Chung has practiced his idea of People's Theatre with this spatial form.

並列關鍵字

Chung Chiao ； People's Theatre ； Japanese Avant-garde theatre ； Ya Sen no Tsuki ； Sakurai Daizou ； Space

參考文獻

ハンスしマン(2002)。ポストドラマ演劇。東京:同?社。

佐佐木健一(1994)。せりふの構造。東京:講談社學術文庫。

鍾喬(1992)。都市邊緣。台北:張老師。

鍾喬(1994)。亞洲的吶喊：民眾劇場。台北:書林。

鍾喬(1995)。邊緣檔案。台北:揚智。