從空間「境界線」觀點探討博物館展示空間造形之應用：以國立科學工藝博物館爲例

吳淑華

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P67 - 82

Humanities > Art
Social Sciences > Education
Social Sciences > Management

DOI： 10.6432/TMR

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從空間「境界線」觀點探討博物館展示空間造形之應用：以國立科學工藝博物館爲例

Explore the Application of Form in Museum Exhibition Space from the Viewpoint of Spatial "Boundary Line": An Example in the National Science and Technology Museum

吳淑華(Su-Hua Wu)

科技博物； 14卷2期 (2010 / 06 / 01) ， P67 - 82

繁體中文

境界線；科學博物館；展示空間；展示造形； boundary line ； science museum ； exhibition space ； exhibition form

Abstract │ Reference (20) │ Times Cited (1) │ Altmetrics

Abstract 〈TOP〉

Parallel Abstract 〈TOP〉

This paper aims to explore the application of form in the exhibition space and focuses on the permanent exhibition hall of the National Science and Technology Museum. It analyzes and expounds the application of form in the integrated space, including the theme spirit, exhibition image, story (content) structure and performances, such as intensifying visit experience. From the viewpoint of the spatial ”boundary line” it further researches in the form of defined exhibition area. It is primarily divided into applications of content form, common form, wall surface form, step form and symbol form. Though the integrated exhibition space formation expounds the theme, it is also the final explanation of exhibition. The expression presented by the exhibition area is the first stimulation when the audience experiences the space and the audience’s impression of the exhibition is more or less affected by their experience in that area, so each kind of form must carry certain implications and information. The influence of exhibition space on the people varies with spatial designs. As long as the space is changed, it can also potentially change the people's feeling. No matter how the spatial form is changed, cultivating the atmosphere and feature of the theme, exhibiting the relationship and characteristic among exhibition contents, identifying spatial position and designing guide must take people's physiological and mental levels and esthetic connotation into consideration.

Reference ( 20 ) 〈TOP〉

吳淑華(2006)。論博物館展示空間構成要素之面面觀。科技博物，10(3)，65-84。
連結：
McAndrew, F. T.、危芷芬譯(2008)。環境心理學。台北:五南圖書出版公司。
McLean, K.(1996).Planning for people in museum exhibitions.Washington DC:Association of Science-Technology Centers.
Patterson, D.,Bitgood, S.(1988).Visitor Studies-1988.Alabama:The Center for Social Design.
小形研三、高原榮重、王思慶譯(1997)。造園意匠論—綠地設施設計＝綠地施設の設計—造園意匠論。台北:田園城市文化事業有限公司。

Times Cited ( 1 ) 〈TOP〉

吳淑華(2018)。展示如何說故事？以國立科學工藝博物館常設展示廳為例。科技博物，22(2)，81-97。

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