從空間「境界線」觀點探討博物館展示空間造形之應用：以國立科學工藝博物館爲例

本文旨在探討展示空間造形的應用，以「國立科學工藝博物館常設廳」為對象，分析詮釋整體空間的造形應用，計有主題精神、展示意象、故事（內容）結構，以及強化參觀體驗等表現；進而從空間「境界線」的觀點，探討界定展示區域的造形，主要分為內容形式、共同形式、牆面形式、段差形式，以及符號形式等的應用。雖然詮釋主題的整體展示空間造形意象，是展示的最終解釋，觀眾對展示感受多少會受到影響，但展示區域所呈現的表情，更是觀眾感受空間經驗的首要刺激，所以每一種造形需建立在具有某種意涵與資訊。因展示空間對人的影響，會隨著空間設計而改變，只要改變空間，人也有隨著改變的可能性；但不論如何變化空間造形，包括營造主題的氣氛及特色、呈現展示內容之間關係與特徵、空間位置識別與引導等功能，都需從人的生理、心理層面考量，且具有美學的內涵。

關鍵字

境界線；科學博物館；展示空間；展示造形

並列摘要

This paper aims to explore the application of form in the exhibition space and focuses on the permanent exhibition hall of the National Science and Technology Museum. It analyzes and expounds the application of form in the integrated space, including the theme spirit, exhibition image, story (content) structure and performances, such as intensifying visit experience. From the viewpoint of the spatial ”boundary line” it further researches in the form of defined exhibition area. It is primarily divided into applications of content form, common form, wall surface form, step form and symbol form. Though the integrated exhibition space formation expounds the theme, it is also the final explanation of exhibition. The expression presented by the exhibition area is the first stimulation when the audience experiences the space and the audience’s impression of the exhibition is more or less affected by their experience in that area, so each kind of form must carry certain implications and information. The influence of exhibition space on the people varies with spatial designs. As long as the space is changed, it can also potentially change the people's feeling. No matter how the spatial form is changed, cultivating the atmosphere and feature of the theme, exhibiting the relationship and characteristic among exhibition contents, identifying spatial position and designing guide must take people's physiological and mental levels and esthetic connotation into consideration.