- 期刊
江海凝清光：汪雨盦先生詩書之藝及其在戰後臺灣的美學意義
Research on Yu-an Wang's Poetry and Calligraphy and Its Aesthetic Significance in Post-war Taiwan
摘要
汪中先生（1926－2010），字履安，號雨盦，安徽省桐城縣人，1949年來臺，畢業於臺灣省立師範學院，並任國立臺灣師範大學國文學系教授，為臺灣著名古典詩人書法家，引領風雅，裁成無數。本文擬由美學角度，綜觀其詩、書之藝術，探其詩藝涵泳之秘、索其書藝寢饋之源，盼能博觀約取，提煉其詩書藝術審美之道。將分別由以下幾點逐層探討：其早年歷經世亂，劫餘初定後一秉東晉名士之生命美學，「玄覽有無」乃成其觀看世界的審美視角。其詩歌藝術以詩情陶鈞「天、地、人相參的意蘊宇宙」，或因天時而開境，或依地景而起興，並反身以觀世。其書法藝術則以翰墨鎔鑄「天人互動的時空圖式」，筆意宛轉，體勢超逸，象徵出入物我之間；布白清遠，神韻虛靈，具有「方死方生」的時間復甦感。其鑑賞實踐則以品藝論詩之詩，重塑文人美學抒情傳統。最後，本文期能置於戰後臺灣歷史場域，衡諸中日文人雅藝匯流之脈絡下，考掘其於世變之後的美學意義。
並列摘要
Mr. Wang Zhong (1926-2010), courtesy name Lu-an, nickname Yu-an, a native of Tongcheng County, Anhui Province, came to Taiwan in 1949. He graduated from Taiwan Provincial Normal University and served as a professor of Chinese literature at the National Taiwan Normal University. He was a famous classical poet and calligrapher in Taiwan, led the elegant style, and educated many students. This article intends to take a comprehensive look at his poetry and calligraphy from aesthetics and explore the secret of his poetry and calligraphy. It will discuss the following points: First, since he experienced chaos and calm in the early years, he adhered to the life aesthetics of Eastern Jin Dynasty scholars. His aesthetics of viewing the world was to contemplate existence or nonexistence. Second, his poems characterize by the meaningful universe of heaven, earth, and man, sometimes opening the poetic territories due to the natural time, inspiring the atmosphere according to the landscape, or reflecting on the self to observe the world. His calligraphy cast the spatial-temporal schema of interaction between heaven and man. His appreciation practice reshaped the lyrical tradition of literati aesthetics by appreciating poems and art. Finally, this article expects to explore the aesthetic significance of Wang Zhong's literati art in post-war Taiwan.