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“平實而熱鬧”之外-蘇青的寫實主義

Beyond the "Plain and Boisterous": Su Qing's Realism

摘要


本文借用美國文學批評家芮塔‧費斯奇(Rita Felski)超越女性主義美學之論述,先從女性運動與女性文學本身的發展脈絡和兩者之間的互動互促,重新審視1940年代的上海女作家蘇青與張愛玲崛起之文化語境和意義。論文後半部則以蘇青爲例,從文本分析入手,在論文上半部所建立的基礎上,試圖對蘇青的文學成就以及其作品的女性意識和性別政治賦予較爲恰當的評價。

並列摘要


While other critics tend to view the unexpected rise and success Shanghai women writers in the 1940s as sparked off by the particular period and environment, this paper adopts the methodology of American literary critic Rita Felski, trying first to reconsider the cultural context and significance of the rise of Su Qing and Zhang Ailing from the point of view of the development of the Chinese women's movement and women's literature as well as from the interaction between the two. That established, the second part of the article then concentrates on Su Qing and her fiction and by means of close reading and literary analysis attempts to reevaluate more objectively and appropriately author's literary success and female consciousness as well as her oeuvre's sexual politics.

參考文獻


于青、曉藍、一心(1994)。蘇青文集上、下冊。上海:上海書店。
方銘編(1996)。蘇青小說集。安徽:安徽文藝出版社。
方銘編(1997)。蘇青散文集。安徽:安徽文藝出版社。
毛海瑩(2005)。尋訪蘇青。上海:上海文化出版社。
王一心(1999)。蘇青傳。上海:學林出版社。

被引用紀錄


楊佳嫻(2010)。懸崖上的花園:太平洋戰爭時期上海文學場域(1942-1945)〔博士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2010.03058

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