- 會議論文
阿喀郎．汗舞團《陌生人》之跨文化研究
An interculture study of Akram Khan Dance Company's "Xenos"
摘要
日益便捷的交通網絡，打破了國與國之間的界線，提供了不同族群間的接觸與交流；隨著人類的遷徙，「民族」的概念日趨模糊，來自不同民族的原生「文化」，也在彼此相互影響著。阿喀郎．汗（Akram Khan）——一位孟加拉裔的英國籍編舞家兼舞者，自身就是一個有機的「跨文化」個體；雖然從小就接觸並接受了傳統印度舞蹈卡達克（Kathak）的訓練，但當他在舞臺上跳著這傳統的印度舞蹈時，他的身體卻是屬於「現代舞」的。阿喀郎．汗舞者生涯的最後一支整場獨舞作品《陌生人》（Xenos）當中，除了明顯且獨一無二的阿喀郎．汗式的詮釋風格外，更可以從整部舞作的演出過程當中，明顯地看到「跨文化」的現象及過程——不管是舞者自身或是文本所設定的主角。本論文將「阿喀郎．汗舞團」所推出的作品《陌生人》，從舞蹈、音樂、視覺、以及整體舞臺呈現等面向切入，對作品作深度的分析，梳理出整部舞作所使用的元素與材料，並以帕特里斯．帕維斯（Patrice Pavis）及理查．謝喜納（Richard Schechner）的「跨文化」理論為立論基礎，論析「阿喀郎．汗舞團」作品《陌生人》中的跨文化模式與現象。
並列摘要
The increasingly convenient transportation has broken the boundaries between countries . Therefore, it provides contact and communication between different ethnic groups. With the migration of mankind, the concept of "nation" has become increasingly blurred, and the original "culture" from different ethnic groups is also influencing each other. A Bangladeshi British choreographer and dancer Akram Khan, who himself is an organic "cross-cultural" individual. Although he has been in contact with and received training in traditional Indian dance Kathak since childhood, when he performed this traditional Indian dance on the stage, his body belonged to " Contemporary Dance". As the last full-length solo work of Akram Khan's dancer career "Xenos", it completely shows Akram Khan's interpretation style. In the performance of the work, the phenomenon and process of "intercultural" can be clearly seen from the dancer himself or the protagonist set by the text. This paper cuts in from the angles of dance, music, vision, and the whole stage presentation to analyze Akram Khan Company's "Xenos" in depth, combing out the elements and materials used in the whole work. And based on Patrice Pavis and Richard Schechner's intercultural theory to analyze the patterns and phenomena of "Xenos".