貝多芬《D大調鋼琴奏鳴曲，作品二十八》之樂曲風格與演奏詮釋探討

路德維希‧范‧貝多芬 (Ludwig van Beethoven, 1770- 1827)，是西方音樂史上最偉大的音樂家之一，因而有「樂聖」的稱號。雖然他的一生過得並不順遂，但他確不輕易向命運低頭，反而將這悲憤的力量轉化，進而創作了豐富的作品，包括交響曲、管弦樂曲、協奏曲、鋼琴曲以及室內樂曲。其中著名的三十二首鋼琴奏鳴曲在鋼琴音樂歷史中，至今一直佔有重要的地位。　　本論文主旨在針對貝多芬《D大調鋼琴奏鳴曲，作品二十八》做樂曲分析與演奏詮釋探討。分為六個章節：第一章為緒論，說明研究動機與目的，以及研究範圍與方法。第二章在敘述貝多芬的生平與音樂風格。第三章介紹何謂田園風格並列出貝多芬田園風格的作品。第四章為貝多芬《D大調鋼琴奏鳴曲，作品二十八》的樂曲分析。第五章為貝多芬《D大調鋼琴奏鳴曲，作品二十八》的演奏詮釋。第六章則歸納前述幾章後所得到的結論。

關鍵字

貝多芬；鋼琴奏鳴曲；田園風格

並列摘要

Ludwig van Beethoven is one of the greatest musicians in the history of western music, and is regarded as a maestro. Although he experienced many hardships in his life, his unyielding determination turned all the anguish into an ample volume of master works, including symphonies, orchestral works, concertos, piano works and chamber music. Among these works, the thirty- two piano sonatas have remained extremely important in the history of piano music. This dissertation focuses on Beethoven’s Piano Sonata in D major, Op. 28. through an analysis and performance interpretation. There are six chapters. The first chapter expounds the motive, scope and method of this study. The second chapter summarizes Beethoven’s life and music style. The third chapter explains pastoral style and introduces Beethoven’s pastoral works. The fourth chapter includes an analysis of Beethoven’s Piano Sonata in D major, Op. 28. The fifth chapter presents the performance interpretation of the specific work. The final chapter is the conclusion which summarizes the previous chapters by a brief discussion.