導入蕭爾希設計思維之平面創作研究

本論文在設計創作方面，延用了圖畫構成的表現形式點、線、面作為平面構成的基本要素。並且利用圓點作為創作的元素，首先本論文藉由參考超現實主義大師米羅及日本藝術家草間彌生的作品，觀察二位的作品不難發現圓點的蹤跡，雖然表現手法不同，確深深影響後世晚輩。因此本論文提出一個新的設計思維，利用圓點作為創作軸心並賦予意涵的數字，亦將其定義為不可變。圖案即形態轉換為單位形並融入圓點於單位形中，單位形及融入的圓點同時也賦予聖經意涵的數字，亦將單位形定義為可變，融入單元形的圓點定義為不可變。接著再運用抽象形態設計原理進行創作，本論文稱此為蕭爾希設計思維。抽象形態設計元素將挑選植物、動物、人物等形態來組織構圖。為使設計應用更貼近蕭爾希設計思維，本創作將參考聖經章節作為發想根基，除探討其繪畫媒材、表現形式等面向外，將結合手繪與電繪方式使作品更貼近數位化，並學習前輩的表現技法，期望藉由有系統的發想過程落實設計的應用性。

關鍵字

抽象形態；單位形；圓點設計；聖經意涵數字；蕭爾希設計思維

並列摘要

In the aspect of design, this thesis uses the dot, line, and surface as the basic elements of the plane structure. This thesis also uses the dots as the elements of the design; to explain this, this thesis refers to the Surrealist master Miro and the Japanese artist Kusama Yayoi’s artworks, where the traces of the dots are easily observed and the influence of which are both phenomenal even though the styles of the two are distinguishing. Therefore this thesis brings a new design concept, which is to take dots as the axis of the design and quantify these dots into numbers with biblical meanings, and the thesis defines this as invariable. Patterns are those are transformed into unit shapes and further the dots are integrated into the unit shapes. The unit shapes and the dots are both quantified by numbers with biblical meanings. The unit shapes are defined as variable, and the dots integrated into the unit shapes are defined as invariable. On top of this, the principles of conceptual abstract form design are further applied. In this thesis the graphic design is called the Thinking Based on Shalosh Design. Abstract design elements are selected from the forms of plants, animals, human characters and so forth, to organize the composition. In order to make the design application closer to Shalosh Design Thinking, this thesis refers to the biblical resources as the foundation of the design.In addition to exploring the phases of the materials of painting, the forms of performance and so forth, this study also combines hand-painting and electro-painting methods, to bring it closer to digitalization. This study as well consults the performance techniques of senior designers, in order to enforce the application of design through a systematic process of thinking.