河北梆子聲腔的發展及其派系

The Development and Genre of the Tune-Pattern of Hebei Bangzi

唐晉渝(Jin-Yu Tang)

《臺灣戲專學刊》 9期 (2004/07) Pp. 131-149

https://doi.org/10.7021/PAJ.200407.0131

摘要

河北梆子是至今仍然活躍在舞臺上的戲曲劇種之一。它以北京、天津、河北為基地，演出足跡遍及大江南北。
唱腔是河北梆子的重要標誌，它源於山西、陝西的梆子腔，屬梆子腔系的一個支脈。河北梆子唱腔集京、津、冀的民風音韻為一體，剛毅質樸，頗具燕趙之氣。歷史上，河北梆子曾有過「直隸梆子」、「京梆子」、「衛梆子」等幾種稱謂，這些稱謂並非是指派系，而是河北梆子發展的不同階段。河北梆子進入第二個階段——「衛梆子」之後，形成了固定的唱腔體系，三個地區在一個體系下根據自身的條件繼續發展。

關鍵字

河北梆子 ； 聲腔 ； 派系

並列摘要

Hebei Bangzi is one of the Chinese operas flourishing on the stage to this day. It is based in Beijing, Tianjin and Hebei with performances throughout China.
The important symbol of Hebei Bangzi is its aria rooting from the Bangzi Tune-pattern in Shanxi and Shaanxi, which is a branch of Bangzi Genre. The aria of Hebei Bangzi combines the folkways and rhythms in Beijing, Tianjin and Hebei, stouthearted and unvarnished, full of the verve in these areas. In history, Hebei Bangzi was named ”Zhili Bangzi”, ”Jing Bangzi” and ”Wei Bangzi” which defined its different development stages but not its schools. With the entrance into its second stage, i. e. ”Wei Bangzi”, Hebei Bangzi consolidated its aria genre and the above three areas continued their developments under one genre with their own characters.

並列關鍵字

Hebei Bangzi ； Tune-pattern ； School