The ”rural” has become a collage of all kinds of images. The material authenticity of the rural has blurred by imaginative representations. Rural areas in Taiwan are transforming from agricultural productivism into a postmodern consumption space-a culturally constructed space. Ching-Jing area is a model moving from its productive role toward tourism. Rural signs, such as sheep and cows, construct the unique Ching-Jing image as a consequence. It is the unique image that Ching-Jing is selling. This study analyzes the production of rural space by the use of signs and representations. It is argued that the interaction of signs constructs a discursive space where an imaginary, mythical countryside is situated.