蕭士塔高維契（Dmitrij Dmitrievič □ostakovič）的生活哲學在交響曲中之呈現—以第二號與第十五號交響曲為例

Dmitrij Dmitrievič □ostakovič's Life Philosophy in Symphony No. 2 and Symphony No. 15

張瑋珊(Wei-Shan Chang)

《關渡音樂學刊》 16期 (2012/07) Pp. 7-27

https://doi.org/10.29873/GMJ.201207.0002

摘要

Dmitrij Dmitrievič □ostakovič（1906-1975）在一個充滿動盪的時代環境下成長，他與舊俄時期的文學家們，如普希金（Alexander Sergeyevich Pushkin, 1799-1837）、托爾斯泰（Lev Nikolayevich Tolstoy, 1828-1910）等一樣，作品中透露著對人文社會的關懷；在□ostakovič的所有交響曲中都可明顯透過與戰爭、極權統治政權、社會運動等有關「人民」題材運用之實例窺見他的生活哲學。由於□ostakovič長年受到病魔侵襲，在□ostakovič晚期交響曲，尤其可發現作曲家對生命哲思有著深刻的體悟。本文先論述影響交響曲創作極劇的蘇維埃藝術文化圈；它的發展與沒落，直接或間接影響著Šostakovič的創作。之後再循序探討□ostakovič生活哲學中之人文關懷在第二號交響曲與生命的哲思在他的第十五號交響曲中之呈現。

關鍵字

□ostakovič ； 交響曲 ； □ostakovič第二號交響曲 ； □ostakovič第十五號交響曲

並列摘要

Dmitrij Dmitrievič □ostakovič grew up in the turbulent period. As Russia literators Alexander Sergeyevich Pushkin(1799-1837)and Lev Nikolayevich Tolstoy(1828-1910), □ostakovič expressed the concern of country through his music. In □ostakovič's fifteen symphonies, it's obvious to see the practice of his life philosophy, including the wars, an orgy of totalitarian coercion, the social revolutions and the connection with countryman. Particularly in his late symphonies, □ostakovič had profound realization of being; it came from the effect of chronic sickness. The first chapter will introduce the 20th music development of Soviet; the era had an extreme effect upon the music of □ostakovič. Through this clarification, the primary topic of thesis will focus on the connection with countryman in Symphony No. 2 and realization of being in Symphony No. 15.

並列關鍵字

□ostakovič ； Symphony ； □ostakovič's symphony No. 2 ； □ostakovič's symphony No. 15

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