- 期刊
評介Rewriting Modernism: Three Women Artists in Twentieth-Century China
Review on Rewriting Modernism: Three Women Artists in Twentieth-Century China
延伸閱讀
- 柯小菁（2008）。評介When "I" was Born: Women's Autobiography in Modern China。近代中國婦女史研究，(16)，297-307。https://doi.org/10.6352/mhwomen.200812.0297
- 許菁芳（2022）。書評：Reimagining the Judiciary: Women's Representation in High Courts Worldwide［重新想像司法－全世界女性法官於最高法院之代表性〕by Maria C. Escobar-Lemmon, Valerie J. Hoekstra, Alice J. Kang, and Miki Caul Kittilson。臺灣民主季刊，19(1)，145-152。https://www.airitilibrary.com/Article/Detail?DocID=17269350-202203-202207280011-202207280011-145-152
- 胡曉真（1998）。“皇清盛世”與名媛閫道－評介Susan Mann: Precious Records: Women in China's Long Eighteenth Century。近代中國婦女史研究，(6)，247-258。https://doi.org/10.6352/mhwomen.199808.0247
- 蔡孟哲（2023）。Reconstruction of Modernity: On A New Literary History of Modern China。文化研究，(36)，405-411。https://doi.org/10.6752/JCS.202304_(36).0016
- Liang, Y. (2022). The Reconstruction of a Female Subject: The Installation Art of Three Chinese Women Artists in the Diaspora. The Journal of Asian Arts & Aesthetics, (8), 59-74. https://doi.org/10.6280/JAAA.202212_(8).0004