創意修補/固著的青黃半接：以臺北市寧夏路木材產業為例

温建吉

doi:10.6342/NTU201703787

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創意修補/固著的青黃半接：以臺北市寧夏路木材產業為例

A Lukewarm Reception to Creativity Fix: The Case of Carpentry on the Ningxia Street, Taipei

温建吉 , Masters　　Advisor：黃舒楣　　

繁體中文 DOI： 10.6342/NTU201703787

寧夏路木材街；創意；木材產業；創意修補/固著；職人工藝； Ningxia Road Wood Street ； Creative ； Carpentry ； Creative Fix ； Craftsmanship

Abstract │ Reference (57) │ Altmetrics

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For many decades, the carpentry in Ningxia Street, Taipei has been in decline. The government sectors have seen the creative industry a cure for regeneration and invested in several programs of cultural creativity. They expected to bring creative thinking and practices to revitalize the carpentry. This research asked the following questions: Can planning programs in the name of creativity works? How do practitioners respond to these programs that are supposedly offering creative fixes to the dying industry?

In this study, I engaged with Jamie Peck's theorization of Creativity Fix, to develop a working framework to discuss the creative fixed carpentry. In research, I combined participatory observation, in-depth interviews, semi-structured interviews and secondary data analysis to obtain qualitative data and information. I came up with the following findings: Planned creative fixation or creative planning business from outside, which mainly intend to create a creative milieu to attract the creative class to revitalize the industry, oftentimes largely ignored the local culture and practitioners’ agency. They rarely solved the industrial problems. Unplanned creative fix, which has more to do with the creative already exists in the technical operation of the workers, is more likely to transform existing craftsmanship into attractive commodities, bridging the consumer market and the carpentry. The latter is more likely to bring new opportunities to the stagnant industry and changed its lukewarm attitude from passive resistance to positively receiving changes.

Reference ( 57 ) 〈TOP〉

王志弘 (2003)〈台北市文化治理的性質與轉變，1967-2002〉，《台灣社會研究季刊》52: 121-186。
連結：
王志弘 (2011) 〈文化治理是不是關鍵詞？〉，《台灣社會研究季刊》 82:205-212。
連結：
林文一 (2015) 〈文化創意導向都市再生,[新] 都市治理的實踐及缺憾: 以迪化街區為例〉，《都市與計劃》42(4)：423-454。
連結：
林政逸、辛晚教(200 9). 〈文化導向都市再生之策略模式: 臺北市保安宮文化慶典與空間計畫的個案研究〉，《都市與計劃》36(3)：231-254。
連結：
邱淑宜 (2016) 〈城市的創意修補及文創工作者的困境-以臺北市為例〉，《都市與計劃》43(1)：1-29。
連結：

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