- 學位論文
亞伯提《建築十書》中concinnitas概念之研究
The Study on the Concept of Concinnitas of Leon Battista Alberti's De Re Aedificatoria
摘要
亞伯提在其著作《建築十書》(De Re Aedificatoria) 中認為：建築藝術中「和諧」與「美」的展現，來自於能遵行「自然本質」(nature) 所要求之「絕對與基本的原則」，而此原則可能即是亞伯提的“concinnitas”概念。亞伯提認為在建築藝術中「美」的展現必須透過concinnitas來達成，因此本研究生認為concinnitas的概念可能為影響亞伯提建築美學觀或建築藝術作品之關鍵，故本文作者欲藉由歸結亞伯提concinnitas概念中之原則與對照觀看亞伯提之建築作品來對此議題加以論述。 本文作者針對「亞伯提《建築十書》中concinnitas概念之研究」一題，擬將本論文整體架構分為五章探討。首先比較國內外研究背景現況，再闡述本論文探討之動機、目的與研究方法，簡單評析與本論文議題相關之國內外文獻的內容。續而探討亞伯提這位藝術家生平、其《建築十書》內容與其建築美學觀，並由亞伯提對「建築藝術」與「美」的觀點建構出「亞伯提之建築美學觀」，推論亞伯提的concinnitas概念在其建築美學觀中可能存在之位置與意義價值。接著進一步探討亞伯提建築藝術觀中之concinnitas概念，從學者達達基茲 (Tatarkiewicz) 與塔弗納 (Robert Tavernor) 研究中對亞伯提concinnitas概念之分析，進一步歸納出本研究對亞伯提concinnitas之詮釋。本研究歸結亞伯提認為在建築藝術中之concinnitas三項原則為：〈一〉協調統合建築輪廓設計與結構秩序之適當手法；〈二〉建築藝術在符合本質之共通法則中展現美的方法；〈三〉建築師、建築藝術品與自然三者合一並達成和諧之途徑。再經由檢視亞伯提的五個建築作品實踐 ─【馬拉帖斯提亞諾教堂】(Tempio Malatestiano)、【盧且萊宅邸】(Palazzo Rucellai)、【新聖母堂】(Basilica di Santa Maria Novella)、【聖塞巴斯提亞諾教堂】(Basilica di San Sebanstiano)、【聖安德烈亞教堂】(Basilica di Sant’ Andrea) 之立面設計，比對與分析亞伯提《建築十書》中concinnitas之原則與其藝術實踐間之契合度與差異性。最後試就亞伯提建築美學觀之核心concinnitas與其建築藝術作品之貢獻作一總結。
並列摘要
In the book, De Re Aedificatoria, Leon Battista Alberti believes that expression of harmony and beauty result from the compliance of absolute and fundamental principle of nature demands. The principle might be the concept of concinnitas by Alberti. Alberti holds that beauty in architectural art must be achieved with concinnitas. Thus, the researcher infers that the concept of concinnitas may be the key to the influence of architectural aesthetics or architecture works by Alberti. The researcher attempts to expound the issue with conclusion of the principles of concinnitas and contrast views on architecture works by Alberti. The paper, based on the title, The Study on the Concept of Concinnitas of Leon Battista Alberti’s De Re Aedificatoria, divides into five chapters. To begin, the researcher discusses domestic and foreign research background, expounds the motives, purposes and study methods in this paper with simple analysis and domestic and foreign papers on this issue. Later, the researcher explores the life of the artist, contents of the book and the architectural aesthetics. To establish architectural aesthetics of Alberti in view of architectural art and beauty in order to infer the possible position and meaning values of the concept of concinnitas in his architectural aesthetics. The concept of concinnitas is then further discussed in architectural art of Alberti. From analysis of Tatarkiewicz and Robert Tavernor on the concept of concinnitas, the researcher further concludes the interpretation of the concept of concinnitas of Alberti. This paper concludes the three principles of concinnitas of Alberti in architectural art: 1) appropriate methods for coordination and integration orders of lineaments and structures, 2) corresponding with common laws of nature, methods of beauty expression of architectural art, and 3) the way of architects, architectural art works and Nature united in one to reach harmony. The researcher then reviews facade design of five works of Alberti, Tempio Malatestiano, Palazzo Rucellai, Santa Maria Novella, San Sebanstiano and Sant’ Andrea to be compared with the agreement and differences between the principle of concinnitas and art practice. Conclusion is made at last on the contribution of core concinnitas concept of architectural aesthetics and works of Alberti.