並列摘要
The dramatic monologue in Yang Mu's poems has special and great significance in the history of Taiwanese modem poetry. It is a vehicle for classical literature and production of modem poems. After creating many masterpieces with this vehicle, Yang Mu reconsiders modem poetics and establishes a new model. His dramatic monologue has formerly been discussed by extending William Butler Yeats's ”mask” and Ezra Pound's ”persona,” but this essay applies Emmanuel Levinas's idea of ”the face of the Other” to observe the process of dialogue. The following subjects will also be explored: self and other, appearance and innermost feelings, emotion and reason, and satire and singing.
參考文獻
漢孔安國傳、唐孔穎達正義(1976)。尚書正義。臺北:藝文印書館。
漢鄭玄注、唐孔穎達疏(1976)。禮記注疏。臺北:藝文印書館。
南朝宋范曄(2006)。後漢書。北京:中華書局。
唐韓愈、錢仲聯集釋(1986)。韓昌黎繫年集釋。臺北:世界書局。
清曹雪芹(1973)。紅樓夢。臺北:三民書局。