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「叫賣聲」的同與異-評析〈吆喝〉與〈聲音鐘〉

The Similarities and Differences of "Cries": Analysis of "Yell" and "Audio Clock"

摘要


〈吆喝〉與〈聲音鐘〉兩篇散文皆以小販叫賣聲為主題,分別收錄在兩岸的國中國文教科書當中。本文以〈吆喝〉與〈聲音鐘〉為討論中心,就謀篇佈局和寫作特色進行分析,發現在佈局上兩文皆以時間為主軸,羅列各類叫賣聲,但同中有異的是:〈吆喝〉到文章尾聲仍著重在叫賣的手法與臺詞,而〈聲音鐘〉則轉向討論叫賣是城市的活力。在寫作特色部份,對叫賣聲的描述兩文皆重視音樂性,但〈吆喝〉兼注意叫賣聲臺詞的多樣,〈聲音鐘〉則表現叫賣聲使用語言的多重性。

關鍵字

叫賣聲 教科書 吆喝 聲音鐘

並列摘要


"Yell" and "Audio Clock" two essays begin with cries of hawkers as the theme, were included in both sides of the country among Chinese Textbooks. In this paper "Yell" and "Audio Clock" is the center of discussion, and writing on the rules and layout characteristics were analyzed and found the text in the layout began with time as the main two types of lists cries, but the same in different is this: "Crying" to article focuses on the end is still selling tactics and lines, while the "Sound Bell" then turn to discuss selling the city's vitality. Featured in the writing part of the description of two text cries all pay attention to the music, but "Yelling" cries lines and attention to the diversity, "Bell sound" is manifested cries multiplicity of language use.

並列關鍵字

Cries textbooks Yell Audio clock

參考文獻


王威智編(1999)。在想像與現實間走索: 陳黎作品評論集。臺北:書林。
吳正文(2011)。兩岸國中國文教科書現代散文內容主題之比較探析(碩士論文)。國立臺灣師範大學。
張本一(2009)。宋元都市叫賣聲與曲樂的藝術生成。民族藝術研究。2009(2)
許筱言(2001)。老北京的胡同叫賣聲。神州。2001(1)
陳黎(1997)。聲音鐘。臺北:元尊文化。

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