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  • 學位論文

電影作品《末日的房間》創作論述

A Critique Essay on the Film Work “Panic Room”

指導教授 : 廖慶松
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摘要


瑪雅預言 2012 年 12 月 21 日是人類的世界末日,在此之前,已有無數的類似預 言出現,並被證實是一場又一場的謊言。電視上充斥各式各樣有關於世界末日的話 題,電影音樂及漫畫小說也有各式各樣關於末日題材的創作。 一個失意懦弱的男子,因為誤信闖入家中的三名騙子預告的世界末日宣言,進而轉 變為積極,要在末日之前挽回他失去的一段關係。 人們對於世界末日之說,大抵上以相不相信區分為兩類族群。如果你相信,你 該面對生活?如果你不相信,你又該如何過下去?作者希望藉由本片探討兩件事 情。一、人類對於世界末日的態度,二、人與人之間的信任。 有人會相信世界末日,源自於他不夠相信自已。不相信自己,就沒有勇氣做有 把握的事情。集體的不相信,塑造了集體的恐懼與憂患意識。有許多人是在這種半 信半疑的狀態下去把握當下,但也有許多人在這種狀態下被許多事情蒙蔽。 劇本以神經喜劇的類型發展,用荒謬的劇情表演及妙語如珠的台詞,來暗諷現 實生活中人類對於世界末日的盲目。希望這部影片在有趣好笑之外,能夠產生正面 力量,讓此時此刻還活著的我們,對未來更有信心。

關鍵字

神經喜劇 末日

並列摘要


"Panic Room" is a comedy directed by the author who also worked as a co-screenwriter with Yu-ChenLin, the creator of the original story. Mayan fable predicted that December 21, 2012 is the end of the world. Previously, numerous similar predictions had been made and proved to be lies one after another. Various of topics discussing doomsday are filled with TVs. Movies, music and comic novels are also created with the theme of doomsday. The story was about a frustrated manturned positive after mistakenly believed the doomsday declaration made by three liars broke into his house. He gave up the opportunity to be salved and tried to retrieve a relationship before the doomsday. In the theory of the doomsday, people are divided into two crowds, believe or not. If you believe it, how would you face your life? And if not, how would you make your life go on? The author hopes to explore two things by the film, the attitude toward doomsday and the trust between people. The author believes that the reason people believe doomsday derives from the lack of confidence in their own. You would not have courage to do uncertain things without confidence. Collective misbelief leads to collective fear and urgency. There aremany people seize the moment under this dubious circumstances while the others are blinded by many things. The script appears as a nervous comedy, innuendos humans’ blindness in doomsday by absurd drama performances and witty lines. Despite interesting and inspiring, we hope this film can provide positive forceto let us have more confidence in the future.

並列關鍵字

screwball comedy doomsday

參考文獻


王承洋(2008),《《生日願望》電影作品創作論述》,國立臺北藝術大學電影創 作研究所碩士論文 林君陽(2011),《電影作品《世界末日的誕生日》創作論述》,國立臺北藝術大學電 影創作研究所碩士論文
參考文獻
中文書目
吳珮慈(2007),《在電影思考的年代》,台北:書林出版社 鄭樹森(2005),《電影類型與類型電影》,台北:洪範出版社 村上春樹著,賴明珠譯(1994),《世界末日與冷酷異境》,台北:時報出版社 依坂幸太郎著,阿夜譯(2009),《Fish Story:龐克救地球》,台北:獨步文化 森山大道著,廖慧淑譯(2010),《犬的記憶》,台北:商周出版社 東野圭吾著,劉子倩譯(2010),《異變 13 秒》,台北:皇冠出版社
淺野一二 O 著,林子傑譯(2009),《世界末日與黎明前》,台北:台灣東販 William Indick 著,井迎兆譯(2011),《編劇心理學:在劇本中建構衝突》,台北:五 南出版社 Jacques Aunont 著,吳珮慈譯(1995),《當代電影分析方法論》,台北:遠流出版社 V. I. Pudovkin 著,劉森堯譯 (2006) ,《電影技巧與電影表演》,台北:書林出版社 Bordwell, David &Thompso, Kristin 著,曾偉禎譯(2007)《電影藝術形式與風格》,台北

被引用紀錄


吳光武(2013)。電影作品《呼拉姐妹花》創作論述〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://doi.org/10.6835/TNUA.2013.00021

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