《yaya’》和《面交男》這兩個故事,基本上都是以個人生活經驗為前提所發想並加以改編,《yaya’》劇本而是為了紀念兩隻陪伴我19年人生歲月的流浪犬「皮皮」與「小白」而寫,對於他們的思念與幻想與渴望呈現在故事裡頭,而《面交男》的發想來自於個人對於3C電子產品的熱愛,卻也無時無刻因為它們的過渡人性化,而導致生活上不便利的生活經驗所累積而來的趣事。 在2010年,《yaya’》和《面交男》兩劇本分別獲得「98年行政院新聞局電影短片輔導金」與「99年公共電視人生劇展」新台幣80萬與50萬的製作費來進行影片創作。此兩劇本一個《yaya’》為步調較慢與內斂的母子與狗之間的親情故事,另一個《面交男》卻是個步調較快的黑色幽默喜劇,兩個劇本風格與呈現方式是極為跳TONE的兩個作品,但仍存在著荒謬與非寫實的味道在裡頭,也藉由『行政院新聞局電影短片輔導金』與「公共電視人生劇展」兩個不同平台與機制下,對於此兩劇本的創作歷程、題材開發、企畫撰寫做為技術報告的依據,來進一步闡述這創作過程的創作論述。
The stories of “yaya” and “Courier” were inspired and adapted from my personal life experiences. The script of “yaya” was written in memory of the two stray dogs, “Pipi” and “Little White”, who had accompanied me for 19 years. The story was full of my missing, my fantasies and my eagerness about them. “Courier” was inspired from the anecdotes piled with life experiences of inconvenience brought by those “too humanized” 3C electronic products that I am very fond of. “yaya” and “Courier” were awarded 800,000 NTD and 50,000 NTD from the “Short Film Fund by Government Information Office” and “Life Story of Public Television 2010”respectively for filmmaking. “yaya” was a low-paced and low-profiled story, talking about the family bond between the mother and son and their dog, while “Courier” was comparatively a high-paced black-humor comedy. The styles and the performing ways of the scripts were quite out of standard. In them exists absurdity and non-realism. Through the two different platforms and systems of “Short Film Fund by Government Information Office” and “Life Story of Public Television”, a further discussion of creation on the processes of creation was given based on the processes of the script creations, the development of subject matter and the plan writing.