基於Max/MSP之穿戴式互動音樂設計與研究 以Musfit設計為例

Research and Design of Wearable Interactive Music System Based on Max/MSP As Exemplified by Musfit

李柏霆(Bo-Ting Li)

指導教授 ： 曾毓忠

國立交通大學/工學院/聲音與音樂創意科技碩士學位學程/碩士(2016年)

摘要

本研究設計一穿戴式互動音樂系統，期望拓展穿戴式裝置於音樂表演上的應用範疇。以物件導向程式Max/MSP做為開發環境，建立系統操作架構、使用者介面與聲音對應設計。
研究架構各章節說明如下，第一章研究動機與目的，簡述穿戴式裝置功能與發展。第二章文獻探討，以資料蒐集近年穿戴式互動音樂展演作品。第三章系統設計，說明系統架構與訊號流程。第四章系統實作，說明操作系統及使用者操作介面的程式設計。第五章針對音樂科技相關背景使用者進行問卷評估，第六章結論，呈現成果並提出未來改進方向。

關鍵字

穿戴式裝置 ； 互動設計 ； Max/MSP ； 聲訊處理

並列摘要

The study is to design a wearable interactive music system, expecting to expand the scope of application of wearable devices for music performance. Object-oriented program Max/MSP was used as a development environment to build up system operation structure, user’s interface, and sound mapping design.
The explanation of study framework of each chapter is as below: Chapter One: general background information, briefly introducing the wearable device function and development; Chapter Two: literature review, collecting information on recent works of wearable interactive music performances; Chapter Three: system design, illustrating system structure and signal process; Chapter Four: system implementation, illustrating operating system and user’s operating interface design: Chapter Five: Opinion Poll, proceeding questionnaire assessment on music technology related background users; Chapter Six: conclusion, displaying the outcome and bringing up the improved direction in future.

並列關鍵字

Wearable device ； Interactive design ； Max/MSP ； Sound processing

參考文獻

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[6] Gershon Dublon; Joseph Paradiso, FingerSynth: Wearable Transducers for Exploring the Environment with Sound, NIME2014

[14] Iannis Xenakis, Formalized Music: Thought and Mathematics in Composition. Bloomington and London: Indiana University Press, 1971

[1] The History of Wearable Tech, From the Casino to the Consumer. http://mashable.com/2014/05/13/wearable-technology-history/, Accessed on 18 October 2014.

[3] Lady’s gloves, http://sonami.net/ladys-glove/