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"Time Junky": Shamanic Journeyings and Gnostic Eschatology in the Novels of William S. Burroughs

〈時間迷幻者〉:威廉˙布洛斯小說中的巫師式旅程與諾斯提教末世論

摘要


身為美國五○年代的垮掉的一代文學潮的重要成員之一,威廉‧布洛斯承襲了一種法術與宗教的詩學,此乃源自於遠古巫術,以及諾斯提教之異教教義的聖經那格哈馬帝之古抄本中。設若威廉‧布洛斯的小說新星三部曲的巫術觀點為西方文明所曲解,他的看法仍是忠於巫術之召喚,仍是指向一條通往文化以及個人的心靈復原之路。本文闡述威廉‧布洛斯與南美的巫術主義之間的緊密關係,並檢視他作品中的幾位主要角色:班威醫生原是一位江湖巫醫,後轉變為一位誆騙藝術者;相對的,檢察長李則從哄騙者成為一位導人以正途的巫師;而伯得利先生,亦同時是馬丁先生,則代表諾斯提教的反派造物主。因此,本文分析了諾斯提教派的作品〈論世界的起源〉,並據此比較威廉‧布洛斯與諾斯提教派對時間概念的相通處,也強調其刻意的文句與概念的重新拼湊,乃是一種從語言之毒中解放出來的一種神諭式的敘述技巧。

並列摘要


William S. Burroughs is the inheritor of a magico-religious poetics stemming from ancient shamans and informed by the Gnostic heresies found in the Nag-Hammadi Library. If, in Burroughs's Nova Trilogy shamanic vision is twisted by the Western cultural matrix, however, it is in a way that, true to a genuine shamanic calling, points the way toward cultural and individual healing. I demonstrate the novelist's close connections to South American shamanism, and read key characters in Burroughs's ”oeuvre”, Dr. Benway as the unredeemed shaman, the shaman as con artist; Inspector Lee as the con-artist turned shaman; and Mr. Bradley-Mr. Martin as the Gnostic Demiurge. I then analyze the Gnostic work ”On the Origin of the World” to show parallels between Burroughsian and Gnostic conceptions of time, and examine the cut-up as an oracular strategy for liberation from the virus of language.

參考文獻


Blake, William. The Complete Poetry and Prose of William Blake. Ed. David Erdman. Berkeley: U of California P, 1982. Print.
Bolton, Michael Sean. “Get off the Point: Deconstructing Context in the Novels of William S. Burroughs.” JNT: Journal of Narrative Theory 40.1 (2010): 53-79. Print.
Burroughs, William S. Cities of the Red Night. New York: Holt, Rinehart and Winston, 1981. Print.
Cline, Kurt.“The Shaman's Song and Divination in the Epic Tradition.” Anthropology of Consciousness 21.2 (2010): 163-87. Print.
Doresse, Jean. The Secret Books of the Egyptian Gnostics. New York: Viking, 1960. Print.

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