翁方綱的「由蘇入杜」說

Weng Fanggang's Theory of Approaching Du Fu through Su Shi

何繼文(Kai-Man Ho)

《漢學研究》 28卷3期 (2010/09) Pp. 135-165

摘要

翁方綱是清代的重要詩論家，可是歷來研究者往往只圍繞他的「肌理說」來反覆討論。本文嘗試發掘翁方網被人忽略的詩學理論，指出他曾主張「由蘇入杜」。翁方綱視「詩法」為總結歷代詩歌得來的創作原理、原則，認為杜甫是「詩法」的關鍵，將杜甫的「詩法」稱為「杜法」，詩人透過蘇軾詩可以正確地學得「杜法」。「杜法」之耍，就在「精微」但「精微」是心能領會，口不能言，所以要借助分析「肌理」顯現出來。翁方綱說「詩必研諸肌理」，就是這個意思，並不是說它最為重要。本文首先梳理「由蘇入社」說的理論系統，然後分析其理論內涵，最後探討它在詩學史上的意義。

關鍵字

翁方綱 ； 杜甫 ； 蘇軾 ； 詩法 ； 肌里

並列摘要

Although Weng Fanggang 翁方綱was a prominent poetry critic, researchers have frequently only focused on discussing his Jili shuo 肌理說(theory of poetic texture). This paper intends to explore Weng's relatively neglected poetry critiques and examine his advocacy of von Sn ru Du由蘇入社 (approaching Du Fu 杜甫 through Su Shi 蘇軾). Weng sees shifa詩法 (poetry writing skills) as the principles and theories summarized from shi (poems) written down the ages, stating that Du Fu's poems are the key to shifa. He refers to Du Fu's shifa as Dufa杜法 and believes that one can come to a correct understanding of Dufa by studying Su Shi's poems. The essence of Dufa is jingwei 精微 (refinement and detail), which can only be understood by the heart, and cannot be expressed in words. Thus, Weng argues, to help reveal it one must analyze the Jili (texture) of a poem, but this does not mean that Jill itself is of prime importance. This paper first catalogues von Su ru Du's theoretical system, analyzes its content, and finally discusses its significance in the history of poetic theory.

並列關鍵字

Weng Fanggang 翁方綱 ； Du Fu 杜甫 ； Su Shi 蘇軾 ； poetry writing skills ； poetic texture

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