視覺比對、寫實再現與缺席策略：論「田野、器物與繪圖－陳奇祿先生原住民圖誌特展」之美學特性

Visual Comparison, Realistic Representation and the Absence Strategy: a Discussion of the Aesthetic s Characteristics in ＂Fieldwork, Artifacts, Illustrations: The Multi-facet World of Dr. Chen Chi-Iu's Ethnological Drawings＂

許功明(Koun-Min Hsu)

《國立臺灣博物館學刊》 62卷1期 (2009/03) Pp. 1-18

摘要

本文以國立台灣博物館策畫展出之「田野、器物與繪圖－陳奇祿先生原住民圖誌特展」為對象，視其為人類學田野與博物館展示的交集場域，經由對其中所展現與原住民文化藝術相關之各類展品的性質與組合關係分析，來解讀該展示美學之特性。旨在從學理上論說於人類學專業之策展下，如何透過視覺性的強調，將原住民器物與標本插畫這兩類源自不同技藝傳統、美學思維體系的展品並列，以形成觀看時的形式比對、審美與認知效果。重點在指出該展示基調為「以物說人」，首先建立起觀者對主要展品物件的直觀性理解之後，再述說人類學家的「其人其事」，並兼及「寫實再現」與「缺席策略」手法之運用;俾使解說文本成為貫穿整體的詮釋性意義，以符合科學理性之訴求與目的。

關鍵字

田野 ； 器物 ； 繪圖 ； 陳奇祿 ； 原住民 ； 圖誌 ； 特展

並列摘要

This paper presents ＂A Special Exhibition of Chen Chi-lu's Illustrated Ethnography of Taiwanese Aborigines＂ as an intersecting ground of both ＂Field and Museum＂, two different types of ethnographies. By analyzing categories and combinations of the ＂Artworks related to Taiwanese aborigines＂, we try to interpret the aesthetics features. The main idea of this study is to stress how the visualization will tie together with both ＂Drawing and Artifacts＂ two different kind of traditional technique and aesthetics system under anthropological contextualization thinking of the exhibition plan , which results the effect in the comparison, aesthetic and cognitive. To sum up, the purpose of this paper is to display the exhibition basis in ＂talking from the material to the people.＂From the aspect of observer's view, after build the intuitive understanding of the main artifacts, they narrate the personal involved of the anthropologist. In order to meet the demands of scientific rationality and purpose in the same time, the method of exhibition has combined both ＂realistic representation＂ and ＂the absence strategy.＂ Also, the interpretation of the meaning of the graphic panel explains throughout the whole concept.

並列關鍵字

Field ； Artifacts ； Drawings ； Chen Chi-lu ； Taiwan indigenous ； Special Exhibition