- 期刊
寶嘉康蒂再現：美洲原住民女性、場景文化與十七世紀戲劇《藍特寡婦》和《印第安酋長》中之殖民論述
Re-represenrting Pocahontas American Native Women, Spectacles and Colonial Discourse in ＂The Widow Ranter and The Indian Emperor＂
參考文獻
BenedictAnderson,Anderson(1991).Imagined Communities: Reflections on the Origin and Spread of Nationalism.
Artell, James(1988).After Columbus, Essays in the Ethnohistory of Colonial North America.
Beacham, Richard(1999).Spectacle Entertainments of Early Imperial Rome.
Bhabha, H. K.(1990).Aphra Behn: Five Plays.
Bhabha, Homi K.(1983).The Other Question.Screen.24(6),18-36.
延伸閱讀
- 陳福仁（2008）。任璧蓮及羅蓓卡•華克作品中的後現代混雜與身分扮演《夢娜在應許之地》與《黑人、白人、猶太人》。英美文學評論，(12)，191-223。https://doi.org/10.6711/REAL.200806_(12).0006
- 李秀娟（2001）。跨國情書、擬像國族：潔西卡．海格苳《香肉族》中的國族、女人、敘述。中外文學，29(11)，63-97。https://doi.org/10.6637/CWLQ.2001.29(11).63-97
- 于禎文（2015）。論黑格苳《夢叢林》中菲律賓後殖民情境與女性經驗的再現〔碩士論文，國立清華大學〕。華藝線上圖書館。https://doi.org/10.6843/NTHU.2015.00113
- 詹閔旭（2020）。Reframing the Indigenous-Han Relations: Interracial Encounters among Indigenous Peoples, Chinese Settlers, and Colonizers in Taiwan Literature。中山人文學報，(48)，73-95。https://www.airitilibrary.com/Article/Detail?DocID=10243131-202001-202002140007-202002140007-73-95
- 以撒克．阿復（2017）。Decolonization, Self-writing, and Liberation: Indigenous Theologies of Decolonization under the Multilayered Cultural Imperialism。台灣原住民族研究學報，7(4)，101-120。https://www.airitilibrary.com/Article/Detail?DocID=P20161117001-201712-201805180002-201805180002-101-120