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殖民帝國女性之眼-論坂口䙥子小說中的台灣女性形象

A Woman's View on the Colonized-Discussing Taiwanese Female Image in Sakaguchi Reiko's Novels

摘要


日據時期小說中的台灣女性形象,因受日本殖民體制支配與父權家庭主宰,經常顯現出受雙重壓迫而犧牲的形象。坂口䙥子是日據時期在台活躍的少數日人女性作家之一,本文以坂口在戰爭末期的小說〈鄭一家〉、〈時計草〉、〈鄰人〉為範圍,透過「皇民鍊成」、「通婚」與「內台融合」主題,探討坂口䙥子小說中的台灣女性形象。其善於運用女性視點,重視角色本身的心情與精神世界的刻劃,並能提出問題的癥結。坂口䙥子觀照了皇民化下台灣女性的不安與苦悶,顯示出比被殖民男性角色又多了一層遭禁錮而無法自主的悲哀。雖仍侷限於殖民者的偏狹視野,無法深入探討日本的殖民政策,但著眼於殖民者與被殖民者關係的描寫,可說是跳脫了統治者的殖民地想像框架,是不可忽略的聲音。

並列摘要


The Taiwanese female image depicted in novels during the Japanese Colonial Period is often the image of sacrifice under double depression due to the domination of the Japanese colonial system as well as family patriarchy. Sakaguchi Reiko was one of a handful of active Japanese female writers in Taiwan at that period. As a female of the imperialist country who lives in a colonized society and a literary circle that is under the war system, how does Sakaguchi Reiko view those colonized females? What kind of mechanism does Taiwanese female image reveal in her works? This paper studies Sakaguchi Reiko's novels written close to the end of the war, Chen Yi Chia and Shih Chi Tsau, Ling Ren, to discuss the Taiwanese female image through those themes of "royal citizen establishment," "mixed marriage" and "mixed blood." Compared with other Taiwan-residing Japanese writers' works, Sakaguchi Reiko's are more fluent in applying the views of females. She stresses describing the mood and spiritual world of different roles, and she is capable of bringing up the core of issues. Under imperial literature's ideal statement of "Father's Family," Sakaguchi Reiko has observed the uneasiness and bitterness of imperialized Taiwanese females who suffer one more layer of agony than do colonized male characters: the agony of being forbidden to express themselves freely. Even though Sakaguchi Reiko's self-consciousness may be still quite limited to a colonialist's narrow vision that is unable to probe the Japanese colonial policy in more depth, her voice cannot be ignored as her depiction on the relationships between the colonialists and the colonized is beyond the imaginative framework of the rulers upon the ruled.

參考文獻


沈乃慧(1995)。日據時代台灣小說的女性議題探析。台灣文學。15、16,284-304、167-203。
林慧君(2006)。坂口□子小說人物的身分認同-以《鄭一家》、《時計草》爲中心。台灣文學學報。8,123-146。
垂水千惠著、徐翠花譯(1998)。台灣的日本語文學。台北:前衛。
許俊雅(1995)。日據時期臺灣小說研究。台北:國立編譯館。
陳培豐(2006)。「同化」の同床異夢。台北:麥田。

被引用紀錄


蔡念純(2011)。日本統治期的台灣文學 ―呂赫若和坂口零子的比較研究―〔碩士論文,長榮大學〕。華藝線上圖書館。https://doi.org/10.6833/CJCU.2011.00106
賴思辰(2014)。津島佑子《太過野蠻的》、施叔青《風前塵埃》的原住民書寫〔碩士論文,國立中正大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0033-2110201613565211

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