藝術的意義理論－一個詮釋學的變體

The Meaning Theory of Art-A Hermeneutical Variety

史偉民(Wei-Min Shi)

《東吳哲學學報》 24期 (2011/08) Pp. 99-130

https://doi.org/10.29732/SJPS.201108.0004

摘要

本文試圖由分析的藝術哲學的角度檢視高速美在其詮釋學中是否提供了對於藝術的適切理解。本文論證：高達美對於審美意識的批判，預設了一個藝術作品的存有的理論，後者則包含了一個有關於做為藝術經驗的對象的藝術作品的理論。本文首先把高達美的此一觀點立場歸類為藝術的意義理論，繼之則分析高達美對於藝術所傳遞的意義的特殊界定，並且提出批判。

關鍵字

藝術理論 ； 藝術的意義理論 ； 審美意識 ； 高達美

並列摘要

This paper aims to examine whether Gadamer offered a proper understanding of art in his hermeneutics from the point of view of the analytic philosophy of art. It is argued that Gadamer's critique of the aesthetic consciousness presupposes a theory of the being of artworks, which implies a theory of the artwork as an object of artistic experience. This theory is then identified as a hermeneutical variety of the Meaning and Gadamer's further specification of the meanings conveyed in artworks is analyzed and criticized.

並列關鍵字

theory of art ； the Meaning Theory of Art ； aesthetic consciousness ； Gadamer

參考文獻

張鼎國(2008)。文本與詮釋：論高達美如何理解康德《判斷力批判》。中央大學人文學報。34，63-95。

Arstotle,Barnes, J.(Ed.)(1984).The Complete Works of Aristotle.Princeton, New Jersey:Princeton University Press.

Barasch, M.(1998).Modern Theories of Art, 2: From Impressionism to Kandinsky.New York:New York University Press.

Beardsley, M. C.(1982).The Aesthetic Point of View: Selected Essays.Ithaca:Cornell University Press.

Carroll, N.(1997).Danto's New Definition of Art and the Problem of Art Theories.British Journal of Aesthetics.37(4),386-392.