This paper starts with the centennial development of performing and other arts in Europe, while providing some aesthetic reflections related to these modern developments. Detailed observation, from the perspective of phenomenological aesthetics, is presented, regarding E-Mu-Theater in Kaohsiung, with special focus on its last performance project “No Man at Home”. On this empirical basis, this paper discusses in a concrete way the aesthetical notions of stylization and localization, as well as the possible relationship existing today between art and everyday life. The aim of this study is to plead, so to speak, in favor of these ideas, in order to highlight the potential of contemporary performing arts in Taiwan, part of which has actually already been realized.