論朱光潛《詩論》的非對象化審美思維

情趣和意象構成詩的境界，而無論是意象還是情趣都是非對象性審美顯現的虛的實體的「純粹的創造物」。朱光潛為了說明作為情趣與意象的非對象化的詩的境界，他從詩與直覺的關係、意象與情趣的契合、詩的境界「隔」與「不隔」、「超物之境」與「同物之境」的分別等幾個方面加以論證。在朱光潛的視野裡，詩意的非對象化審美思維由音律與現實對象的距離感、形式對現實對象（實質）的限制的非限制性、「尋思」對現實對象的明顯化「尋言」、以媒介來想像對直覺意象的非對象化創造、「思想」的具身性對現實對象的內知覺意象化、情緒知覺的非對象化「動作趨勢」等多種方式構成。朱光潛「詩不可譯」、詩「不能用另一套語言去解釋」的看法，實際上是在海德格爾的意義上準確把握了作為詩之「在（ist）」的「紛然雜陳」非對象性意象的敞開性、確定的非確定性的中邊重疊領悟視野。

關鍵字

朱光潛；《詩論》；非對象化；審美思維

並列摘要

Poetic context is composed of sentiment and images. No matter sentiment or images, they are all non-objectified ＂existence＂. In order to explain the poetic context with sentiment and images, Zhu Guangqian demonstrated it from the aspects of the relationship between poetry and intuition, the correspondence of images and sentiment, ＂veiled＂ and ＂unveiled＂ of poetic context, and the difference between ＂the realm transcends the existence＂ and ＂the realm within the existence＂ and so on. In Zhu Guangqian's sight, the poetic and non-objected aesthetic thinking contains many different formations, such as the distance perception of tonality and real object, the limited non-finiteness from the form to real object (essence), ＂mind-searching＂ refers to the obvious ＂word-searching＂ to real object, non-objectified creation of intuitive images is put the imagination as medium, the embodiment of ＂ideas＂ is the imagery inner perception to the real object, the ＂actions trend＂ of non-objectified emotional feelings and so on. Zhu Guangqian's perspective that ＂untranslatability of poetry＂ and ＂poetry can not be explained in other languages＂ can be actually regarded in the sense of Heidegger that accurately grasped the non-objectified images' immense variety in understanding and horizons of poetry as ＂ist＂, and with open-mindedness and the either clear or non-deterministic images of poetry.